Musik Music Musique 1979 – The Roots of Synth-pop compilation review

1 12 2025

Musik Music Musique 1979 is the fourth volume in the series from Cherry Red and is sub-titled The Roots of Synth-pop.

The 3 CD set is released on 16 January 2026. Featuring a colossal 60 tracks, the collection is made up of well-loved classics from 1979 alongside lesser-known gems. Musik Music Musique 1979 features The Buggles, Tubeway Army, The Human League, OMD, John Foxx, Visage, Yello and more. The compilation has track by track information along with sleevenotes by Electronic Sound magazine’s Mat Smith.

Video Killed The Radio Star

Disc one opens with Technopop from The Buggles Clean, Clean single (recorded in 1979 but released in 1980) and is also available on their debut album The Age of Plastic. I’m glad that the compilers avoided the obvious Video Killed The Radio Star, that is ubiquitous on compilations covering this era, plus they made the decision to include the pre-Buggles version from Bruce Wooley & The Camera Club, a more new wave tinged take on this 80s classic. Technopop is a slice of nostalgic pop, driven by Trevor Horn’s bass and vocals, and Geoff Downes multi-layered synths.

M offer Made in Munich, a track cut from the same cloth as their massive hit, Pop Muzik. Robin Scott is joined by members of Level 42 on this addictive track, that name checks John Travolta at one point. The Korgis Cold Tea saw James Warren and Andy Davis move away from their progressive rock past with Stockbridge, to this more angular electronic, 10cc on acid sound.

The first little-known highlight on this compilation comes from Dutch musician Floris Kolvenbach and his Metal Voices project, with the haunting At The Banks Of The River, an adventurous song with a mournful chorus.

Armband by Karel Fialka is a catchy piece of electronica from 1979. Fialka is also known for his singles The Eyes Have It and Hey Matthew (a top 10 hit in 1987). Life In Tokyo (Pt 1) from Japan is a collaboration with Giorgio Moroder, and is one of the bands finest singles.

Tubeway Army’s Are Friends Electric? was released on Beggars Banquet in May 1979 and soon made its way to no1 in the UK singles chart. There will be more from Gary Numan later in this compilation. Pop duo Dollar’s Star Control (B- Side Mix) was the b-side of the more tame Who Were You With In The Moonlight single in May 1979, and is a charming vocoder driven space themed oddity.

The Lone Ranger (1979 Remix) from Rupert Hine’s Quantum Jump was a top 5 hit the second time around, thanks to championing from DJ / television personality Kenny Everett.

“Taumatawhakatangihangakoayauo-
Tamateaturipukakapikimaungahoro-
Nukypokaiwhenuakitanatahu”

If you know, you know. Rupert Hine was an important figure in 80s pop (and beyond), producing and working with Rush, Tina Turner, Howard Jones, the Fixx, Bob Geldof, Thompson Twins, Stevie Nicks, Suzanne Vega as well as releasing a series of influential solo albums, including my favourite, 1982’s Waving Not Drowning.

Birmingham’s Fashiøn deliver the single Technofascist, one of the bands early tracks before line-up changes and a huge pivot in sound that led to the magnificent Fabrique album in 1982. The Technofascist line-up had a sharp post-punk sound, and I remember seeing this line-up supporting The Stranglers at The Rainbow in 1980.

The Cars sprightly Night Spots is an album track from Candy-O, the US bands second album. Bruce Woolley & The Camera Club’s early version of Video Killed The Radio Star features a line-up that included the influential musician Thomas Dolby, and is a spikier more new wave take on what went on to be an 80s classic.

Mirror Of Infinity from the US synth trio Moebius is another gem that passed me by on its original release, with progressive vocals on top of an icy synth soundtrack. The only mis-step for me appears with an awful cover of The Stranglers Hanging Around by Final Program, a cover where the musicians are playing as if they have never heard the original, far superior version. An instant skip from me!

One Rule For You

Disc two opens with an absolute banger in Gary Numan’s no 1 single Cars, that sounds as great today, as it did on its original release in 1979. Nuff said.

Donna Summer producer Giorgio Moroder offers the title track from his album E=MC², a synth pop, disco masterclass. Daft Punk fans will likely enjoy this track.

Nice Mover from Gina X Performance was produced by German producer Zeus B. Held (Fashion / John Foxx), who has his own track titled Held It on this disc. The Gina X Performance had an underground hit with No G.D.M., and were surely an influence on the mighty Propaganda in the later part of the 80s.

Orchestral Manoeuvres In The Dark’s Almost slipped by me when I bought their Electricity 7″ single, why didn’t I play the b-side? Almost is a delicate, forlorn piece of electronica that stands up well. The Men (an early incarnation of The Human League) appear with a funky bass line driven I Don’t Depend On You.

One Rule For You from After The Fire should have been a massive hit, with Rupert Hine, Muff Winwood, Rhett Davies and John Leckie on production duties on their second album Laser Love. Thrash was the debut single from Cowboys International, a short lived pop band, who mixed new wave with synth pop.

Factory Records act Minny Pops early single Dolphin’s Spurt has an inventive guitar line running through the sparse electronics.

Producer extraordinaire Zeus B. Held bridges Krautrock and the late 70s electronic explosion with Held It from his second solo album, that will appeal to fans of John Foxx’s The Garden album. The Swedish band Secret Service round off disc two with the saccharin pop of Oh Susie. Once you hear this song, you will struggle to get it out of your brain for days.

Living By Numbers

The third and final disc opens with a track from The Human Leagues Reproduction album, the insanely catchy Blind Youth. Back To Nature from Fad Gadget (Francis John Tovey) was a dark electronic single released by Mute Records.

Landscape (featuring future acclaimed producer Richard James Burgess) contribute the 12″ version of the playful instrumental Japan, a precursor to the bands hits with Einstein A Go-Go and Norman Bates. Japan sounds like a theme tune to an 80s cop show that sadly never existed. What a bass-line too.

Frequency 7 by Visage was the b-side to their debut single, Tar, and is a sparse, dark piece of Ballard influenced electronica. Living By Numbers New Musik was an early single from the band that featured producer Tony Mansfield.

“They don’t want your name, just your number”

Suicide’s Dream Baby Dream, produced by The Cars’ Ric Ocasek, has found a new audience due to the songs use on television and in film, including Alex Garland’s disturbing Civil War.

John Foxx appears with Young Love (the 1979 version that was first released as part of a Metamatic album reissue). Forever Tonight by Hammer (featuring Jan Hammer, Miami Vice theme composer and future Styx vocalist Glen Burtnick) is a disco infused synth pop song.

Computer was included on Toyah’s debut album Sheep Farming In Barnet and has aged particularly well. Thomas Leer and Robert Rental’s Attack Decay is an album track that offers an industrial, warped peep into the future.

Don’t Dither Do It (7″ Version) from Steve Hillage (former member of Gong and future founder of System 7) is an enjoyable new wave, disco crossover. Rheinita (7″ Version) from La Düsseldorf is an instrumental shiny electronic pop piece.

Musik Music Musique 1979 disc three closes with the barely recognisable lo-fi cover of The Beatles All You Need Is Love by Instant Automatons.

Musik Music Musique 1979 is a wonderful time capsule that showcases the futuristic experimentation of the electronic / post-punk tinged sound that grew out of punk before mutating into the heady electronic pop that dominated the first half of the 80s.


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TRACK LISTING
DISC ONE

The Buggles – Technopop
M – Made In Munich
The Korgis – Cold Tea
Metal Voices – At The Banks Of The River
Yello – I. T. Splash
Dalek I – The Kiss
Karel Fialka – Armband
Japan – Life In Tokyo (Pt 1)
Black Rod – Going To The Country
Tubeway Army – Are Friends Electric?
Dollar – Star Control (B- Side Mix)
Quantum Jump – The Lone Ranger (1979 Remix)
Fashiøn – Technofascist
The Cars – Night Spots
Devo – Strange Pursuit
Bruce Woolley & The Camera Club – Video Killed The Radio Star
Moebius- Mirror Of Infinity
Tanya Hyde – Herr Wunderbar
Final Program – Hanging Around
Metrophase – New Age

DISC TWO
Gary Numan – Cars
Giorgio Moroder – E=MC²
Gina X Performance – Nice Mover
Blah Blah Blah – In The Army
Gerry And The Holograms – Gerry And The Holograms (Alternate Drumbox Version)
Orchestral Manoeuvres In The Dark – Almost
The Men – I Don’t Depend On You
Telex – Rock Around The Clock
They Must Be Russians – Nagasaki’s Children
Silicon Teens – Memphis Tennessee
Henry Badowski – Making Love With My Wife
After The Fire – One Rule For You
Cowboys International – Thrash
Jude – Mirror Mirror
Minny Pops – Dolphin’s Spurt
Mi-Sex – Computer Games
Passage – 16 Hours
Zeus B. Held – Held It
The Family Fodder – Sunday Girl #1
Secret Service – Oh Susie

DISC THREE
The Human League – Blind Youth
Fad Gadget – Back To Nature
Landscape – Japan (12″ Version)
Calvin Twilight – Harmony
Cuddly Toys – Madman (Original 1979 Japanese Mix)
R.L. Crutchfield’s Dark Day – Hands In The Dark
Visage – Frequency 7
New Musik – Living By Numbers
Suicide – Dream Baby Dream
John Foxx – Young Love (1979 version)
The Dodgems – Science Fiction (Baby You’re So)
Genocide – Pre Set Future
Hammer – Forever Tonight
Toyah – Computer
Thomas Leer and Robert Rental – Attack Decay
Plain Characters – Man In The Railings
Steve Hillage – Don’t Dither Do It (7″ Version)
La Düsseldorf – Rheinita (7″ Version)
Tim Blake and Jean Phillipe Rykiel – New Jerusalem (Extract)
Instant Automatons – All You Need Is Love

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News: Yes Unveils New “Fly From Here – Return Trip” Edition

29 09 2025

Cherry Red are releasing a new version of Fly From Here – Return Trip from Yes, in a variety of formats including a 1CD, 2LP (140g with a tip on gatefold sleeve) and a blu-ray edition that features Atmos and 5.1 mixes by Richard Whittaker in addition to original stereo mixes, and 5.1, stereo and Dolby Atmos instrumental mixes.

This 2025 edition also includes bonus instrumental mixes of the Fly From Here suite.

Yes - Fly From Here (Return Trip) cover art

Yes recorded the original version of Fly from Here during breaks in touring in 2010 and 2011, during which they enlisted former Yes frontman Trevor Horn as producer.

The version included in this 2025 reissue is the alternative version of the album titled Fly from Here – Return Trip, which features the classic Drama era line-up who were reunited in 2018 to create a new version featuring all new vocals from Trevor Horn plus new instrumental parts, alongside a more organic mix highlighting Chris Squire’s unique voice and bass contributions as well as additional parts from Steve Howe and Geoff Downes.

For long-term Yes fans reading this review, I must state up front that I am a massive fan of the Drama era, and I am an unabashed Trevor Horn fan, so whilst I loved the original version, featuring vocalist Benoît David and keyboardist Oliver Wakeman, the Return Trip is my favourite take on the album.

Yes 2018 lineup

My original review from 2018 still stands, and whilst there does not appear to have been a remastering for this 2025 re-issue (it was not needed!), the main addition is the instrumental version of the Fly From Here Suite, which is a joy to listen to, and I am particularly looking forward to hearing the Blu-ray Dolby Atmos mix from Richard Whittaker (not supplied for review), as Fly From Here has always been a “widescreen” mix for me, and so will surely shine brightly in the surround sound format, as well as the hi-resolution mixes.

It was a moving experience listening to the album again, and re-discovering Pt II – Sad Night At The Airfield, which is one of my favourite Trevor Horn vocal performances, and Life On A Film Set (based on Riding A Tide from The Buggles second album), a pop/prog masterpiece. This is the definitive version of a late period Yes classic album.

Fly From Here – Return Trip is released on 28 November 2025.


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Buy Fly From Here (Return Trip) on CD from Amazon

Buy Fly From Here (Return Trip) on vinyl from Amazon

Buy Fly From Here (Return Trip) on Blu-ray from Amazon

Buy Yes – Drama from Amazon

Buy Fly From Here (Return Trip) vinyl / CD / Blu-ray from Burning Shed


Blu-ray

1 Overture
2 Pt I – We Can Fly
3 Pt II – Sad Night at The Airfield
4 Pt III – Madman at The Screens
5 Pt IV – Bumpy Ride
6 Pt V – We Can Fly Reprise
7 The Man You Always Wanted Me to Be
8 Life On a Film Set
9 Hour Of Need
10 Solitaire
11 Don’t Take No for an Answer
12 Into The Storm

Includes Dolby Atmos / 5.1 / Stereo / Atmos Instrumental / 5.1 Instrumental / Stereo instrumental / Original Stereo mixes


CD

1 Overture
2 Pt I – We Can Fly
3 Pt II – Sad Night at The Airfield
4 Pt III – Madman at The Screens
5 Pt IV – Bumpy Ride
6 Pt V – We Can Fly Reprise
7 The Man You Always Wanted Me to Be
8 Life On a Film Set
9 Hour Of Need
10 Solitaire
11 Don’t Take No for an Answer
12 Into The Storm

Bonus Tracks – Instrumental

13 Overture
14 Pt I – We Can Fly
15 Pt II – Sad Night at The Airfield
16 Pt III – Madman at The Screens
17 Pt IV – Bumpy Ride
18 Pt V – We Can Fly Reprise


Vinyl LP

Side One
1 Overture
2 Pt I – We Can Fly
3 Pt II – Sad Night at The Airfield
4 Pt III – Madman at The Screens
5 Pt IV – Bumpy Ride
6 Pt V – We Can Fly Reprise

Side Two
7 The Man You Always Wanted Me to Be
8 Life On a Film Set
9 Hour Of Need

Side Three
10 Solitaire
11 Don’t Take No for an Answer
12 Into The Storm

Side Four (Instrumental Version of the Fly From Here suite)
13 Overture
14 Pt I – We Can Fly
15 Pt II – Sad Night at The Airfield
16 Pt III – Madman at The Screens
17 Pt IV – Bumpy Ride
18 Pt V – We Can Fly Reprise





Bruce Woolley & The Camera Club: Review of the Definitive Anthology 1977-1981

16 10 2024

Cherry Red have released Bruce Woolley & The Camera Club – The Definitive Anthology 1977-1981, a 3-CD selection. The set stretches to 69 tracks from the period 1977 to 1981 and includes 41 previously unreleased tracks taken from the bands unreleased second album plus two live concerts, along with an expanded version of the English Garden album including the original versions of the Ivor Novello Award-nominated Video Killed The Radio Star and Clean Clean, both of which Bruce Woolley co-wrote with Trevor Horn and Geoff Downes and went on to become hit singles for The Buggles.

Bruce Woolley & The Camera Club – The Definitive Anthology 1977-1981 cover

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The collection is packaged in a deluxe clamshell box with a fully illustrated 28-page booklet containing rare and previously unseen images and a brand new annotation featuring quotes from band members Bruce Woolley, Dave Birch and Thomas Dolby. The sleeve-notes are amongst the best I have seen on recent anthology releases – honest, informative and self-deprecating.

Bruce Woolley & The Camera Club were founded in 1979 with Bruce Woolley on vocals, Dave Birch on guitar, Thomas Dolby on keyboards, Matthew Seligman on bass and Rod Johnson on drums. They released their debut album English Garden in 1979 and supported its release by touring in England, USA and Canada. Unfortunately, they disbanded after two years largely spent on the road following on from CBS Records’ refusal to release their second album.

I have the original English Garden album on vinyl, but this 3 CD set offers a fuller glimpse into the bands intriguing story. Bruce Woolley will always have a special place in music history due to his contribution to Video Killed The Radio Star, but there is so much more to his story. Along with the obvious Buggles (Trevor Horn and Geoff Downes) links there is plenty for the Thomas Dolby fan to savour as well – with Thomas appearing as band member on many of the tracks, as well as contributing to some of the song writing plus the appearance of Matthew Seligman, who went on to become a key part of Dolby’s band for many years, and who backed (with Thomas) David Bowie at his legendary Live Aid performance at Wembley Stadium in 1985. Matthew also contributed bass on the late period Bowie classic Absolute Beginners. Sadly Matthew died in 2020.

The first disc – English Garden expanded

Disc one is an expanded version of the English Garden album. The album is a perfect example of late 70s new wave / pop. Drawing on influences from the highly lyrical pop of Deaf School, the angular new wave artiness of Bill Nelson’s Red Noise and the occasional tip of the musical hat to David Bowie, there is a real pop sensibility to the album. The title track is a pacey, energetic opener before the first appearance on this collection of Video Killed The Radio Star. I’m obviously (who isn’t?) very familiar with the timeless Buggles version, but Bruce Woolley & The Camera Club’s take has all of the signature lines in-situ and a beefier, less synth led arrangement. It works very well and should have got more attention at the time.

Johnny is a Trevor Horn co-written song, with the “Johnny” refrain seemingly sneaking into The Buggles Johnny on the Monorail later that year. You Got Class powers along at pace, with some fine Seligman bass runs.

WW9 is a short (under one minute) Bruce Woolley/Thomas Dolby written instrumental, that hints at the future sound Mr Dolby would produce for The Flat Earth. Clean Clean will be known to many because of the Buggles version from The Age of Plastic. This edgier new wave version works particularly well, especially with the addition of Bowie V-2 Schneider referencing drums in the outro.

Get Away William was written by Bruce Woolley, guitarist Dave Birch and Thomas Dolby, and is one of my favourite tracks on the album. It has that amazing 1979 sound, where new wave aesthetics are mixing with pure pop.

Goodbye To Yesterday adds Magazine to the influence list, with its opening rhythm heavily indebted to The Light Pours Out Of Me, as the song mutates into a jazzier, Rhodes driven pop piece. Goodbye To Yesterday (reprise) is a twisted take on the preceding song.

The album proper ends with You’re The Circus (I’m The Clown), and it’s killer of a chorus.

13 extra tracks complete disc one. Highlights include US versions of Clean Clean, Video Killed the Radio Star and Goodbye To Yesterday (shorn of its Magazine influence and sounding quite Buggles like).

You’re The Circus (I’m The Clown) (B-Side) features Geoff Downes on keys and Trevor Horn on bass.

Needletime was written by Bruce Woolley, Trevor Horn and Rod Thompson, and has hints of XTC meets 10cc and a bit of City Boy slipped in for good measure. Basically lots of band’s with C in their names.

The final track is Sugar Daddy (8 Track Demo), a song Bruce Woolley recorded a few times, but subsequent recordings apparently never bettered this 8 track demo. This feels like a good ending to the revisited album, as the new wave style is washed away.

Bruce Woolley and the Camera Club - English Garden vinyl cover

Disc two – the unreleased second album and later material

Disc two is Polaroid – Snapshots Of Sound, material that would have made the second album alongside other unreleased material. I Set Fire To You was rescued from the original 24-track, 2” analogue tapes, so unlike a lot of extra material that finds its way onto expanded album releases, these studio tracks are high quality recordings.

Ghost Train was co-written with Thomas Dolby, and is my favourite track on disc two. Featuring the return of Matthew Seligman on bass and produced by the mighty Mike Howlett, for Dolby fans, this song will be like finding gold in them there hills. Its a delightful song.

Killer On The Dancefloor (Olympic Studios) features Dave Birch on guitar, Nigel Ross-Scott on bass, Nigel Glockler on drums, and Simon House (who appeared on David Bowie’s Stage & Lodger albums) on keyboards. Simon also appears on the later track Morning Shadows, another highlight of the later period Camera Club.

Only Babies Can Fly has a gentle but highly addictive arrangement and is one of the last Camera club recordings, featuring a final appearance from Thomas Dolby on keyboards. Blue Blue (Victoria) is another Mike Howlett production. House Of Wax is a surprisingly never before released song. This track would have been perfect as a single in 1979 or 1980.

The final song is Radio Pictures (Bye Bye Love), of which I know nothing of its origins, as its not mentioned in the PDF of the sleeve-notes provided with the digital review copy, so maybe a last-minute addition? Radio Pictures (Bye Bye Love) is a bittersweet piece, reminding me a little of The Korgis, mixed with the poppier side of The Teardrop Explodes. Luscious guitar and warm harmonies hint at a further switch away from the earlier band sound. A fine farewell to the studio music of Bruce Woolley & The Camera Club.

Disc three – on the road forever!

Disc three is comprised of live recordings from 1979 and 1980. The 1979 set was provided by Steve Warren, who was XTC’s sound engineer at the time. Although recorded onto cassette, this straight from the mixing desk, very early band gig recording stands up pretty well. The live line-up includes Richard Wernham on drums (aka Ricky Slaughter from The Motors).

The 1980 set was broadcast on WLIR FM, from My Father’s Place in Roslyn, New York and is understandably a more polished recording, with a more seasoned performance from the band, who had been touring pretty much non-stop at this point. You’re The Circus (I’m The Clown) is an explosive opener, and Get Away William is another highlight. “Accept no substitute” welcomes in the final track on the disc, a live take on Video Killed The Radio Star.

Bruce Woolley & The Camera Club – The Definitive Anthology 1977-1981 is a rare beast – a collection full to the brim with alt-takes and unreleased music, but absolutely no fillers. Given the age of the material, it has remained in pretty good shape, with the risks of baking the master tapes aside!

If you are a fan of the English Garden album, you will love this collection, which also offers plenty to enjoy for fans of the era as well as Trevor Horn/ Buggles and Thomas Dolby fans.


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DISC ONE
English Garden – Expanded Version

English Garden
Video Killed The Radio Star
Dancing With The Sporting Boys
Johnny
No Surrender
Flying Man
You Got Class
WW9
Clean Clean
Get Away William
Goodbye To Yesterday
Goodbye To Yesterday (Reprise)
You’re The Circus (I’m The Clown)
News (Eden Studios)*
The Killers – No Surrender
The Killers – Killer On The Dancefloor
Clean Clean (US Version)
Video Killed the Radio Star (US Version)
Goodbye to Yesterday (US Version)
Bruce Woolley – Bobby Bad
Bruce Woolley – You’re The Circus (I’m The Clown) (B-side)
Bruce Woolley – You Got Class (Soundsuite Studios)*
Bruce Woolley – Going To The City*
Bruce Woolley – Needletime*
Bruce Woolley – Sugar Daddy (8 Track Demo)*

* Previous Unreleased

DISC TWO
Polaroid – Snapshots Of Sound

I Set Fire To You*
Bruce Woolley – Ghost Train
Killer On The Dancefloor (Olympic Studios)*
Trouble Is
Only Babies Can Fly
All Real Americans*
Morning Shadows*
Ghost Train (Olympic Studios)*
All At Once
Warning Shadows*
Bruce Woolley – Blue Blue Victoria
Bruce Woolley – 1000 MPH
Bruce Woolley – The Black Girls Understand*
Bruce Woolley – Ghost Train (Club Mix)
How Do You Say Goodbye?*
Too Late For Tears (Demo Version)*
Bruce Woolley – Blue Blue Victoria (Demo Version)*
Bruce Woolley – You Got Class (Revox Demo)*
News (Olympic Studios)*
House Of Wax
Radio Pictures (Bye Bye Love)*

* Previous Unreleased

DISC THREE
In Concert – all recordings previously unreleased
Live at High Wycombe Town Hall 6th May 1979

You’re The Circus (I’m The Clown)
You Got Class
Too Late For Tears
Clean Clean
The Problem
Goodbye To Yesterday
Johnny
Video Killed The Radio Star
No Surrender
Dancing With The Sporting Boys
News
Flying Man

Live at My Father’s Place, Long Island, USA 25th March 1980

You’re The Circus (I’m The Clown)
News
You Got Class
Trouble Is
Johnny
Get Away William
Dancing With The Sporting Boys
I Set Fire To You
No Surrender
English Garden
Video Killed The Radio Star

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News: Ultimate Dollar 6CD/1DVD (includes Trevor Horn era songs)

1 12 2019

Re-mastered from the original master tapes, Ultimate Dollar contains 6 audio discs and a DVD, which contains all their videos and several TV appearances.

The reason for my mentioning the collection on this site is that the box-set will be of particular interest to Trevor Horn fans. Discs three and four cover the Gold certified The Dollar Album era. This Dollar album includes four Trevor Horn productions and co-written songs, and also includes Trevor Horn on bass guitar plus Bruce Woolley and Anne Dudley (keyboards & synthesizers) on the Horn produced singles.

Also included is the Mirror Mirror (Mon Amour) (Demo), with what sounds suspiciously like Trevor Horn on vocals.

This expanded edition includes newly commissioned 12” versions of all five top 40 hits contained on the album, mixed from the original multi track tapes – Hand Held In Black And White (UK #19), Mirror Mirror (Mon Amour) (UK #4), Give Me Back My Heart (UK #4), Videotheque (UK #17) and Give Me Some Kinda Magic (UK #34), as well as backing tracks, B-sides and instrumentals of many songs.

The box-set also includes newly commissioned vintage style 12” mixes of Mirror Mirror, Give Me Back My Heart, Hand Held In Black And White, Videotheque, Give Me Some Kinda Magic and Love’s Gotta Hold On Me from the original multi track tapes.

The box-set also includes a detailed booklet containing track-by-track commentary from Thereza Bazar and many others involved in the releases, as well as photos, detailed liner notes on each disc, and The Dollar Songbook lyrics.

Buy the Ultimate Dollar box-set

Also available – Greatest Hits 2CD set





Trevor Horn Band – Live at Sarm Music Bank 19/7/2018

29 07 2018

The Trevor Horn Band played live at the opening of Sarm Music Bank‘s impressive new facility in Old Oak Common on July 19th 2018.

Sarm Music Band invite

The band included Trevor Horn (bass and vocals), Lol Creme (guitar and vocals), Luis Jardim (percussion), Phil Palmer (guitar), Steve Ferrone (drums), Izzy Chase and Hayley Sanderson (vocals), Jamie Squire (vocals and guitar) with guest appearances from vocalists Matt Cardle and Steve Hogarth (Marillion).

Lol Creme, Luis Jardim, Trevor Horn and Steve Ferrone

The invite / competition winners only performance was the perfect opportunity to christen the new rehearsal space, and was also a great way of showcasing some of the songs that will appear on the  forthcoming Trevor Horn album. Reports online suggest that the album may be called The Eighties Reimagined, and will consist of some of Trevor Horn’s favourite 80s songs, recorded with the band, a 65-piece orchestra and guest singers.

The set opened with the air-raid sirens signalling Two Tribes, the first of three Frankie Goes To Hollywood songs. Sporting one of the finest basslines of the 80s, this was a powerful opener, and the acoustics in the room, even at a very loud volume, sounded amazing.

Sadly we were only treated to one song from The Buggles back catalogue on this occasion. After an amusing Boris Johnson anecdote, TCH and the band performed a note-perfect Video Killed the Radio Star.

th4

“And now we meet in an abandoned studio
We hear the playback and it seems so long ago”

I was expecting to hear some Godley & Creme, and clearly Five O’Clock in the Morning or Art School Canteen were not likely as part of this performance, so as expected the band performed the TCH produced perfect pop of Cry.

Lol Creme can still hit the high notes, evidenced as the band delivered a rowdy version of 10cc’s first no1 single, Rubber Bullets, which was originally released in 1973.

Marillion vocalist Steve Hogarth joined the band for two songs – David Bowie’s Ashes To Ashes (you could not have an 80s tribute without the Thin White Duke) and the most surprising song in the set, Joe Jackson’s Different For Girls (from the I’m the Man album). This timeless song was released in 1979, so although it is not an 80s song, it was an interesting choice.

thsh

A re-imagining of Slave to the Rhythm marked the halfway point in the set. On stage percussionist and frequent Trevor Horn collaborator Luis Jardim performed the bass on the studio version of the track, fact fans.

Trevor switched back to lead vocals on the Yes hit from 1983’s 90125 album, Owner of a Lonely Heart, complete with Synclavier / Fairlight sounding stabs. The second Frankie Goes To Hollywood song of the night was sung by guest vocalist Matt Cardle. A string laden version of The Power of Love went down a treat with the audience.

th2

A version of the 2002 no1 single All the Things She Said by Russian pop duo t.A.T.u.was performed with Izzy Chase and Hayley Sanderson sharing lead vocals.

The set wrapped up with a trio of massive 80s singles – a reworked version of Tears For Fears Everybody Wants to Rule the World (which will surely feature on the forthcoming The Eighties Reimagined album), Dire Straits Money For Nothing and the final FGTH song of the evening, Relax.

I’m looking forward to hearing The Eighties Reimagined album (hopefully later this year) and it looks like there will be further live dates from The Trevor Horn band to promote the album. Follow TCH on Twitter or Facebook to stay in the loop.

Full setlist:

Two Tribes
Video Killed the Radio Star
Cry
Rubber Bullets
Ashes to Ashes
Slave to the Rhythm
Owner of a Lonely Heart
The Power of Love
All the Things She Said
Different For Girls
Everybody Wants to Rule the World
Money For Nothing
Relax

Legacy

Buy Legacy – 3 Chord Trick (the band features new, original material from former members of Dire Straits, and features Trevor Horn on bass)

Buy Godley & Creme – Body Of Work (1978 – 1988) Box set

Buy the Trevor Horn – Slaves To The Rhythm live DVD

Buy the 10cc Classic Album Selection Box set

Buy Grace Jones – Slave To The Rhythm Collector’s Edition, 2015 remaster





Yes – Fly From Here – Return Trip album review

1 04 2018

Fly From Here – Return Trip is a new version of the 2011 Yes album, with the addition of the previously unreleased track Don’t Take No For An Answer and a full-length version of Hour Of Need, which was only previously available in Japan. The biggest change is that producer (and co-writer of many of the tracks) Trevor Horn has re-recorded the lead vocals, effectively making this the final Drama line-up Yes album. Drama is my favourite Yes album, and I am a huge fan of The Buggles, so this was a must-buy release from me.

fly from here return trip

From the opening instrumental that ushers in the Fly From Here suite, the influence of Trevor Horn and keyboard player Geoff Downes (aka The Buggles) looms large, and has many parallels to the second Buggles album, Adventures In Modern Recording.  The 2010 reissue of Adventures in Modern Recording contains a couple of early versions of songs from the Fly From Here suite, and two versions of the stunning track I Am A Camera (recorded by Yes on Drama as Into The Lens).

Fly From Here Pt 1 – We Can Fly is the first track to feature Trevor Horn’s re-recorded lead vocals. I never had a problem with the vocals of Benoît David on the 2011 version of the album, but hearing Horn on lead vocals is such a joy. As a side note, I loved The Producers Made in Basing Street album in 2012 but I was disappointed that Horn did not contribute more vocally to the album, so you can imagine how happy I am with Fly From Here – Return Trip.

The new version has some differences in arrangement and lengths of tracks – which includes a shortening of Fly From Here Pt 1 – We Can Fly, and some added production touches to the end section of the track.

My favourite song on the album is Fly From Here Pt 2 – Sad Night At The Airfield. A haunting, melancholic piece that sounds so much better on the revised version of the album.

“I want to be the one who always gives you shelter
Finds a way to keep you warm”

Some of the albums finest keyboard / synth lines from Geoff Downes add bright colours, and a simple, but powerful Chris Squire bass-line drives the song. This is one of the most moving pieces in the vast Yes catalogue.

Yes 2018

Fly from Here Pt III – Madman at the Screens is also shortened on The Return Trip. The Steve Howe composition Fly From Here Pt 4 – Bumpy Ride has always been my least favourite track on the album, but the Yes guitarist redeems himself with the much stronger The Man You Always Wanted Me To Be, one of Fly From Here‘s key tracks. There is a real fluidity and harmony to all the band members performances on this song.

Life On A Film Set (recorded as Riding A Tide on The Buggles second album) is another of my Fly From Here favourites. Horn’s vocals are so clear and strong, and he really is underrated as a vocalist. I love the acoustic and lead guitar interplay during the tracks mid-section, and Life On A Film Set is a song that I would imagine appeals to fans of the bands earlier work.

I’m glad I have finally got to hear the full-length version of Howe’s Hour of Need, which is so much more fully realised here.

I enjoyed the album on it’s 2011 release, but Fly From Here – Return Trip is the definitive version and has turned what was originally a very good album into a truly great album.

“Armies of angels are leading me on
Take me away from the heart of the storm”

Fly From Here – Overture
Fly From Here Pt 1 – We Can Fly
Fly From Here Pt 2 – Sad Night At The Airfield
Fly From Here Pt 3 – Madman At The Screens
Fly From Here Pt 4 – Bumpy Ride
Fly From Here Pt 5 – We Can Fly (Reprise)
The Man You Always Wanted Me To Be
Life On A Film Set
Hour Of Need (full length version)
Solitaire
Don’t Take No For An Answer
Into The Storm

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Read my review of The Producers – Made in Basing Street





Producers – Made in Basing Street

30 06 2012

Producers are Lol Creme (Godley & Creme, 10cc), Trevor Horn (producer known for his work with Frankie Goes to Hollywood, Seal, ABC‘s Lexicon of Love, Grace Jones Slave to the Rhythm and singer / bassist in The Buggles and for one album, Yes), Stephen Lipson (guitarist / engineer / producer who worked with Horn on a lot of ZTT recordings) and Ash Soan (former Del Amitri / Squeeze drummer, now an in-demand session drummer).

The band started out as a live covers band, albeit made up of multi-million selling producers / musicians! The Producers initially existed as a way for the musicians to escape from the confines of the studio environment, and they rehearsed a set of songs by other artists that they had produced over the years.

The project soon grew into something greater and the band released a couple of singles (Freeway & Barking Up The Right Tree) in 2007, but this is their first full-length release, almost six years in the making.

Album opener Freeway is ushered in with Frankie-esque synths, and is a love-song to driving around Los Angeles.  Freeway introduces the two main vocalists on the album – singer / songwriter Chris Braide and Ryan Malloy (former vocalist in the short-lived post Holly Johnson Frankie Goes to Hollywood).

Geoff Downes (The Buggles / Asia) is another key player, appearing on every track, contributing keyboards, piano and rhodes.

Your Life is the first of three songs featuring Trevor Horn on lead vocals. As a big fan of The Buggles and the Yes Drama album, I had hoped for more Horn lead vocals. Maybe the next album? Ryan Malloy takes over lead vocals on the chorus of Your Life.

An extended version of the track can be found on the 2 disc version of the album, and it works well in an extended format, with some lovely trademark Trevor Horn heavy reverb on the vocals. There is a lovely pace to the song in this extended mix.

ZTT regular Luís Jardim also appears on Your Life, and the extended version on the second disc features Ryan Malloy on vocals throughout the song.

copyright Producers

Man on the Moon is a mid-70s FM radio style ballad with a fine vocal performance from Malloy and an outstanding guitar solo from Steve Lipson.

The haunting Every Single Night In Jamaica features Trevor Horn as the sole vocalist, and builds towards a killer chorus. Maybe this is how The Buggles would sound in 2012 if they were still recording?

“I know it’s you I should call
But my hearts not in it at all.”

Stay Elaine would not sound out of place on a mid-70s Rod Stewart album (that’s not a criticism by the way), and at times has hints of Del Amitri. Lovely guitar harmonics see out the song.

Barking Up The Right Tree is the only song to feature Lol Creme on lead vocals. A different version from the 2007 release, it’s one of the strongest songs on the album and is sequenced well to follow the previous track, which has a similar 70s feel. Gorgeous layered harmonies on top of Steve Lipson’s slide guitar make this song a personal album highlight.

Garden Of Flowers is the final song to feature Trevor Horn on lead vocals, and has touching lyrics, which possibly reference a personal tragedy that has been well documented. Despite it’s subject matter, it’s a very uplifting song, and highlights that although he is known primarily for his production skills, Horn is a unique vocalist and a damn fine bass player.

The album ends with a couple of uptempo songs – Watching You Out There and the album closer, You & I, another track with Chris Braide on lead vocals. Although Chris features throughout the album, he is no longer part of the band, but continues to record his own music, as well as writing for artists such as Lana del Rey and Sia.

I would recommend the 2-CD version of the album, which contains a hidden track at the end.  I won’t give too much away, but it goes back to the beginning of the band, with a live cover version of a key song by a band I’ve already mentioned.  That’s all I’m saying…. Ha!

Made in Basing Street is an excellent rock / pop album.  Hopefully it won’t take six years for Horn / Creme / Lipson & Soan to put together a follow-up release.

Made In Basing Street (2 CD version) at Amazon
Made in Basing Street (single CD) on Amazon