The Stranglers – In The Shadows (deeper cuts)

10 07 2018

Here’s my latest playlist for you to listen to, hopefully enjoy and share. My previous playlists have been themed – Alternative Jewels (say hello to the modern) and Date Stamp – the 80s (part1)  This is the first playlist dedicated to one band.

That band is one of the most successful UK new wave bands, The Stranglers. I have avoided most of the band’s most well-known songs, though I let a few slip through into the playlist. The list could have been a lot longer, it took remarkable self-restraint to leave songs out, so forgive me if your favourites are not included.

USA EP

The playlist gets underway with Goodbye Toulouse and Hanging Around, from the band’s debut album Rattus Norvegicus. Neither tracks were singles, but they highlight the raw psychedelic sound of the bands first few albums, and were staples of the live set for years to come.

English Towns is the representative from the No More Heroes album. although I have also included 5 Minutes (one of their most powerful singles) and it’s B side, the ballardian Rok It To The Moon, that both feature on the No More Heroes CD re-issue from 2018.

Outside Tokyo is a beautiful, bittersweet spiky waltz from Black And White, the final Stranglers studio album produced by legendary producer Martin Rushent. Curfew is a paranoid, dystopian tale driven by Burnel’s barracuda bass perfectly coupled with Jet Blacks jazz tinged drums, and a classic Burnel / Cornwell jointly sung chorus.

Walk on By is the definitive version of this song for me. I have probably heard it hundreds of times – blaring out of my transistor radio on its release in 1978, on 7″ vinyl, cassette, CD and live, yet I never tire of the song. Its so easy to get lost in the middle section with the wild solos from Dave Greenfield and Hugh Cornwell.

wob

The title track to 1979’s The Raven is another song that never grows old. I could not leave out Baroque Bordello, the song with one of the best intros in the bands large catalogue. Listen to this, and tell me that the band were not influenced by prog rock!

G.m.b.H is a hybrid of the 12″ and 7″ versions of Bear Cage, from the US import album IV, that lots of fans bought on mail-order from ads in the back of NME or Melody Maker (this was pre-internet) to get the previously unreleased, Doors influenced track Vietnamerica. It took me years to track down the rare USA CD issue of IV – and its not for sale, so don’t ask!

“You can keep your Brussels and Amsterdam 
Give me back my summer in Dresden, man” 

Second Coming (which sounded amazing live at the time) and the single Just Like Nothing On Earth feature from The Gospel According To The MenInBlack, which found The Stranglers at their most experimental. Weird and totally wired.

“A woman in Wellington wet her whistle with a wild man,
From way back when.”

Who Wants The World (yes, it did cost 79p) scraped into the lower reaches of the UK singles chart in 1980, but is still a great single, and continues the UFO theme of The Gospel According To The MenInBlack.

wwtw

Ain’t Nothin’ to It is an often overlooked track from La Folie, the album that included the bands biggest hit, Golden Brown.

My playlist ends in 1983, with the 7″ mix of Midnight Summer Dream, and the haunting Never Say Goodbye from the acoustic diversion of the Feline album.

I hope you enjoy this playlist – please follow me on Twitter @mrkinski to find out about future playlists that I put together.


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