Blimey, it’s that time of year already. 2010 flew by….
Here are my thoughts on my favourite music , film and TV from 2010.
Music
Francis and the Lights
My most played artist of 2010 (last.fm stats are so useful!) was Francis and the Lights. I first came across the band, who are led by the enigmatic, and wonderfully named, Francis Farewell Starlite, in the Summer of 2010.
It was one of those chance discoveries, where I saw the name mentioned in a magazine, headed over to Youtube and saw (and fell in love with) the video for Darling, It’s Alright.
Francis and the Lights first full length album, It’ll Be Better was not out in the UK at the time, so I ordered a copy from the States.
The album highlight is the closing track, Get In The Car.
“You gotta be careful
These guys will eat you alive
You gotta believe me
You’re gonna want me by your side”
I don’t want to spoil the story, but it’s certainly no love song.
Sounding, vocally, like a cross between Randy Edelman and Peter Gabriel, and musically (at times) like early 80’s Prince, It’ll Be Better flows well as apparently the songs were recorded using the same instruments throughout, to give a feeling of cohesiveness. So scattered amongst the 80’s synth sounds, are barely processed guitars and piano and a symmetry that makes sure the songs hit you immediately.
Tap the Phone is one of the more modern sounding songs on the album, and one of those rare songs that doesn’t waste a single note.
“I should tap the phone, take a taxi home
Write a song for the radio, then I could hear you
When you’re on the phone
And you could hear me on the radio”
For Days has programmed drums that sound as if they were lifted from Prince’s Parade album, but with a buzzsaw synth line, a supremely funky guitar and haunting piano. Pure pop magic.
“If there was just an air strike or a natural disaster, You coulda been mine.”
Also recommended, from the A Modern Promise EP (2008), is the song Night Watchman – a lovely pop song about voyeurism.
Buy It’ll Be Better from Amazon UK
Buy A Modern Promise from Amazon UK
Everything Everything
Another new band, this time from the UK. Their Man Alive album was released in late August, and follows a string of single releases dating back to 2008. The songs are varied, with lovely layered harmony vocals, inventive guitar and nods to bands such as Talking Heads, Yes, XTC and even The Associates.
With many time signature changes (often within the same song) and quirky vocal tics, there is plenty to keep you listening throughout the 50 minutes of this charming album.
The production duties were handled by David Kosten (Bat for Lashes / Joseph Arthur and sometime no-man collaborator), and I hope he stays on board for the next album, as he added so much to the mix.
“If all the boys say you did it, and all the girls say you did it,
and if all the boys say you did it, and all the girls say you did it
Then man, you’re as guilty as the ones that came before, you sleepwalked over here, the drawbridge creaks ignored.”
Leave The Engine Room lyrics
If you don’t jump out of your chair and dance round the room like a dervish during Photoshop Handsome, you are already dead.
“Airbrush! What have you done with my landscape?
Flooding the fields with this clone shape?
Where is the country you died for?
And what is the century?
And Ah-Ah-Ah! Who did your Photoshop handsome?
You ready for reincarnation?
Gotta come back as something less frantic
You gotta banish that army of panic
Gotta come back as something organic.”
Schoolin’ has become my favourite from the album over time, mainly because of the middle 8 that sounds like it’s fallen straight off no-man’s Lighthouse.
Buy Everything Everything from Amazon UK.
Gavin Castleton
Portland, Oregon’s Gavin Castleton is a singer/songwriter I came across late in 2009, via someone’s end of year list on Facebook. See, sometimes these lists are worthwhile! Gavin’s music varies between progressive jazz-tinged pop, through to electronica and even rap, with traditional song arrangements and looping experiments.
My first purchase was the wonderful album called Home. An album about a relationship breakdown, with the added complication of a zombie attack. Yep, you read that correctly. It’s an intriguing idea, and surprisingly it works.
Home is a schizophrenic album, with twists and turns, and many genre changes, but like a good film, stick with it, and after repeated listening’s, its beauty will surely charm you.
“I might’ve survived if it weren’t for her eyes
that were eating mine up
She wanted a job so I brought her the forms
with my eyes held shut”
Coffeelocks from Home
Gavin is incredibly prolific, and hugely independent (through circumstances, not necessarily choice), and 2010 brought another new album, Won Over Frequency, which was released without record company backing late in 2010.
Stand out tracks include the slow-burning Why Is It So Hard? and the country-tinged I Only Haunt.
“I don’t love, I only haunt”.
My favourite Gavin Castleton album is For the Love of Pete, which was released in 2007. It’s the most traditional (for the want of a better word) album from Gavin.
The beatbox driven Good Manbaby, and deep bass powered Tiny Triggers are current favourites.
Gavin does not have the support of a record label, so every purchase of his music is poured back into his next project, so have a listen to his music from the links below, but please don’t download his music for free, if you like it, buy it.
Listen to Gavin’s music on Soundcloud or via his official website.
Stream The Human Torch from the album Home
Buy Gavin Castleton music on cdbaby or iTunes
View Gavin Castleton videos, including the looping cover of Sledgehammer and the wonderful cover of Eyes in the back of my Head.
Lone Wolf
The Devil and I is the debut release from Lone Wolf aka Paul Marshall. Leeds musician Paul Marshall released an album called Vultures in 2007, but his first release under the Lone Wolf moniker is a very different beast. Losing the folk influences, and drawing from a wider instrumental palette, the Devil and I is as lyrically rich as it is musically.
I was drawn into the album by the single Keep Your Eyes On The Road, and its Sledgehammer inspired video.
Opener This Is War is the story of a nightmare relationship.
“I used my chemistry skills to bake her every pill she could swallow.
She prayed to god and she called me a sinner, science isn’t the way to win her.
She gave me every disease under the sun before she ran for another town.
My body reacts to her.
How bodies react to her.”
We Could Use Your Blood is my favourite song on the album, with a wonderful use of haunting trumpet and bells to lift the final chorus.
“I’m tired of the mutes in my life.
And I’m tired of this glass body.
It’s only transparent from the outside.
And my bee-stung lips have sank a fair few ships,
While they continue to flap like hummingbird’s wings deep into the night. “
15 Letters is a murder ballad, sung from the perspective of the deceased.
“My name will remain an unclimbable mountain in life.”
A wonderful album, and one that seeps into your soul after repeated listenings. Here’s hoping for more from Lone Wolf in 2010.
Buy The Devil and I from Amazon UK
LoneWolf blog
John Grant
Queen of Denmark was a must buy for me, because of the Midlake connection (the band back Grant on the album). Sounding very much like an album from the mid-70’s, with lush backing vocals and not sounding out-of-place in the company of Bread or Fleetwood Mac, Queen of Denmark reveals more when you dig deeper. Silver Platter Club even sounds like Carole Bayer Sager meets Gilbert O’Sullivan, but in a good way, I kid you not!
John Grant was the singer in the US band The Czars, and this debut solo release apparently comes from the viewpoint of a gay man struggling for survival in a small town in America, and some of the songs touch on Grant’s struggles with addiction (pretty graphically, on the album’s title track, very uneasy listening).
Marz is a shopping list of all the treats available in a long-gone sweet store from Grant’s childhood. Another standout track on the album is TC and Honeybear, an affectionate tale of a former love.
“For Tc and his Honeybear, the world will not stop moving
For rendezvous and longing stares and hearts that won’t stop burning”
There is humour, nostalgia and warmth displayed throughout the songs, held together by Grant’s effortless, rich baritone vocals.
My favourite song is actually one of the tracks from the limited edition bonus version, the simple piano, strings and vocals arrangement of Fireflies really highlights the beauty and sorrow in the song.
“I can smell the flowers,
they died long ago.
How I long for you.”
Buy The Queen of Denmark on Amazon UK
John Grant Myspace site
Arcade Fire
The Suburbs is summed up perfectly by its cover artwork, hinting at a time and a world long since disappeared.
Probably their most cohesive album, and one that should really be listened to as one complete piece. The Suburbs is another of this year’s albums that references a bygone era, in this case taking cues from late 70’s Springsteen, the lean new wave pop of The Cars and The Psychedelic Furs.
Rococo is a ClockWork Orange-esque take on Mall-life, whereas Sprawl I (Flatland) is a slow-burning anthem, managing to be both menacing and nostalgic at the same time.
“Took a drive into the sprawl
To find the places we used to play
It was the loneliest day of my life
You’re talking at me but I’m still far away”
Buy The Suburbs on Amazon UK
Bruce Springsteen
2010 was the year I rediscovered Bruce Springsteen. My favourite Bruce albums were always The River, The Wild, The Innocent And The E Street Shuffle and especially Darkness on the Edge of Town. I went along to the UK premiere of the film The Promise In November, which was attended by the Boss himself. The documentary looks at the making of Darkness on the Edge of Town, and some of the songs that failed to make the final cut. It was a fascinating look at this landmark album, and I treated myself to the box-set that contained a DVD of the documntary, a remastered version of Darkness on the Edge of Town and a double disc of The Promise, songs from the Darkness sessions.
Darkness on the Edge of Town sounds amazing in this remastered version, it’s like hearing a new album. I’m still blown away by Candy’s Room, Badlands, Racing in the Street and Prove it all Night. I find it hard to believe that I first heard these songs 32 years ago.
The Promise is not an album of fillers or countless versions of the same songs, virtually all these tracks could, and perhaps should, have been released back in the late 70’s. Some of the songs were hits – Because the Night for Patti Smith, and Fire for The Pointer Sisters. The versions by the original writer do not disappoint. Save my Love has that signature E-Street band piano sound, and The Promise should have been on Darkness on the Edge of Town, it could easily have closed the album.
Buy The Promise on Amazon UK
Buy The Promise: The Darkness On The Edge Of Town Story (3CD+3DVD) on Amazon UK
Buy The Promise: Darkness on the Edge of Town Story (3CD/3Blu-ray) on Amazon UK
Film
Into The Wild
Ok, not a new film, but one I’ve just seen. Directed by Sean Penn, and starring Emile Hirsch as Chris McCandless who leaves a life of comfort and safety to find a different way of life in the wild, open spaces of the US.
It’s an often bleak story, but lit up along the way with the now renamed Alexander Supertramp and his interaction with those he comes across as he heads to his destination, Alaska. So sad, but so moving.
Buy Into The Wild on DVD or blu-ray from Amazon UK
Let the Right One In
As above, one bought on blu-ray this year, and a horror classic. In my eyes, the film deserves to be talked of in the same way that The Shining, Omen or The Exorcist are described as genre-defining movies.
Forget the obvious gore and dumbed down modern horror that films such as Saw serve up. Let the Right One In is restrained in what it shows you, but the darkness is in the way in which this story was filmed. It looks absolutely stunning, and the effects are simple yet effective.
The film was remade in 2010 as Let Me In, but I’m sticking with the cold beauty of the original Swedish version.
Buy Let The Right One In on DVD or blu-ray from Amazon UK
Television
Any Human Heart
A four-part Channel 4 adaptation of the book by William Boyd. Telling the story of Logan Mountstuart from pre-Second World War up to the early 90’s, and his life, his loves, and his painful losses that haunt him to the end.
Memories are triggered by long-forgotten pictures, letters, notes and drawings. A powerful and moving adaptation, and easily my favourite TV event of the year.
Buy Any Human Heart on DVD or blu-ray from Amazon UK
The Pacific
From the same team that put together Band of Brothers a few years ago, whilst not as satisfying (the character building throughout the series is not as strong as Band of Brothers) but offering a much more accurate portrayal of the devastation and sheer brutality of war.
Buy The Pacific on DVD or blu-ray on Amazon UK
Buy Band of Brothers on DVD or blu-ray
Buy The Pacific / Band of Brothers DVD gift-set
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It was difficult to choose just one Prince song for this playlist, and I know future playlists will include other songs from the Purple maestro, but I kept coming back to the 
Tiny Children from the second Teardrop Explodes album 
The title song of this playlist is Date Stamp by ABC, from their debut album, Lexicon of Love. I’ve gone for one of the less-well known ABC songs, but its my favourite track from the album. It hits all the marks for me – great backing vocals, a stunning bass-line and some of Martin Fry’s finest lyrics.
I loved the early to mid-period Style Council singles and I’ve included the single edit of one of my favourites in this playlist. As with the previous track, some wonderfully detailed 80s percussion underpins My Ever Changing Moods. The song includes a typically great Paul Weller lyric and one of his best guitar performances from this era.
My playlist ends with Elstree by The Buggles. Taken from their first album 
Mr Kinski's Music Shack 