The Stranglers – In The Shadows (deeper cuts)

10 07 2018

Here’s my latest playlist for you to listen to, hopefully enjoy and share. My previous playlists have been themed – Alternative Jewels (say hello to the modern) and Date Stamp – the 80s (part1)  This is the first playlist dedicated to one band.

That band is one of the most successful UK new wave bands, The Stranglers. I have avoided most of the band’s most well-known songs, though I let a few slip through into the playlist. The list could have been a lot longer, it took remarkable self-restraint to leave songs out, so forgive me if your favourites are not included.

USA EP

The playlist gets underway with Goodbye Toulouse and Hanging Around, from the band’s debut album Rattus Norvegicus. Neither tracks were singles, but they highlight the raw psychedelic sound of the bands first few albums, and were staples of the live set for years to come.

English Towns is the representative from the No More Heroes album. although I have also included 5 Minutes (one of their most powerful singles) and it’s B side, the ballardian Rok It To The Moon, that both feature on the No More Heroes CD re-issue from 2018.

Outside Tokyo is a beautiful, bittersweet spiky waltz from Black And White, the final Stranglers studio album produced by legendary producer Martin Rushent. Curfew is a paranoid, dystopian tale driven by Burnel’s barracuda bass perfectly coupled with Jet Blacks jazz tinged drums, and a classic Burnel / Cornwell jointly sung chorus.

Walk on By is the definitive version of this song for me. I have probably heard it hundreds of times – blaring out of my transistor radio on its release in 1978, on 7″ vinyl, cassette, CD and live, yet I never tire of the song. Its so easy to get lost in the middle section with the wild solos from Dave Greenfield and Hugh Cornwell.

wob

The title track to 1979’s The Raven is another song that never grows old. I could not leave out Baroque Bordello, the song with one of the best intros in the bands large catalogue. Listen to this, and tell me that the band were not influenced by prog rock!

G.m.b.H is a hybrid of the 12″ and 7″ versions of Bear Cage, from the US import album IV, that lots of fans bought on mail-order from ads in the back of NME or Melody Maker (this was pre-internet) to get the previously unreleased, Doors influenced track Vietnamerica. It took me years to track down the rare USA CD issue of IV – and its not for sale, so don’t ask!

“You can keep your Brussels and Amsterdam 
Give me back my summer in Dresden, man” 

Second Coming (which sounded amazing live at the time) and the single Just Like Nothing On Earth feature from The Gospel According To The MenInBlack, which found The Stranglers at their most experimental. Weird and totally wired.

“A woman in Wellington wet her whistle with a wild man,
From way back when.”

Who Wants The World (yes, it did cost 79p) scraped into the lower reaches of the UK singles chart in 1980, but is still a great single, and continues the UFO theme of The Gospel According To The MenInBlack.

wwtw

Ain’t Nothin’ to It is an often overlooked track from La Folie, the album that included the bands biggest hit, Golden Brown.

My playlist ends in 1983, with the 7″ mix of Midnight Summer Dream, and the haunting Never Say Goodbye from the acoustic diversion of the Feline album.

I hope you enjoy this playlist – please follow me on Twitter @mrkinski to find out about future playlists that I put together.





David Bowie – Welcome to the Blackout (Live London ’78)

30 06 2018

Welcome to the Blackout (Live London ’78) is a live album by David Bowie, recorded on the Isolar 2 Tour at London’s Earls Court on 30 June and 1 July 1978 by Tony Visconti, and later mixed by Bowie and David Richards in January 1979.

BLACKOUT

This is my favourite Bowie live album. Although having a similar track-listing to the 2017 Stage re-issue, I prefer the sound and performances on Welcome to the Blackout. The performances feel more organic and more loose, with more Bowie chat than normal (probably due to the end of tour high).

The Welcome to the Blackout version of “Heroes” is utterly heartbreaking, and breathes new life into probably the most well-known song Bowie song. There is such clarity and clear separation in the mix. This version works so well, compared to some other live takes, because Bowie’s vocal is more restrained early on and slowly builds to the songs emotional climax.

The bluesey Jean Genie loses the glam-rock swagger, so is not my favourite version of the song. The Heroes and Low tracks are the standouts on Welcome to the Blackout. Bowies intro to Blackout gives this album it’s title, and the live premiere of Sound And Vision sounds so damn funky and fresh. I never tire of hearing Breaking Glass, and this version is delicious.

The highlight of the album is the 11 minute plus version of Station To Station. An extended synth intro cut through by Adrian Belew’s amazing guitar squeals blows the Stage version out of the water. The subtle synth and rhythm guitar lines are so prominent on this recording.

“It’s not the side-effects of the cocaine, I’m thinking that it must be love”

Five Years is extended due the the end of tour thank-you’s, and a tongue-in-cheek Bowie band introduction.

The bass playing from George Murray towards the end of Suffragette City is amazing, and Art Decade features some great synth work, and achingly distorted lines from Adrian Belew, who was at the top of his game during this part of Bowie’s career.

A technicolour, uplifting take on TVC 15 leads into a mind-blowing Stay. The inventive Dennis Davis percussion and blistering Carlos Alomar guitar on the extended intro make this one of the finest live documents of this song.

A version of Rebel Rebel that feels like it has been injected with the spirit of Stephen Sondheim rather than it’s glam-rock roots ends this essential Bowie live album.

Have a listen to Welcome to the Blackout (Live London ’78) on your streaming site of choice by all means, but nothing beats owning the physical product, which includes a replica of parts of the Isolar 2 tour programme.

CD 1:
1.Warszawa
2.”Heroes”
3.What In The World
4.Be My Wife
5.The Jean Genie
6.Blackout
7.Sense Of Doubt
8.Speed Of Life
9.Sound And Vision
10.Breaking Glass
11.Fame
12.Beauty And The Beast

CD 2:
1.Five Years
2.Soul Love
3.Star
4.Hang On To Yourself
5.Ziggy Stardust
6.Suffragette City
7.Art Decade
8.Alabama Song
9.Station To Station
10.TVC 15
11.Stay
12.Rebel Rebel

Buy Welcome to the Blackout (Live London ’78) on CD from Amazon

BLACKOUT

Buy Welcome to the Blackout (Live London ’78) triple vinyl from Amazon

BLACKOUT

Buy Life on Tour with David Bowie: We Can Be Heroes by Sean Mayes (the keyboard player on the Isolar II tour)





The Stranglers – The Classic Collection

6 03 2018

Take a stroll over to your CD cabinet. Do you have a copy of the first 7 albums from The Stranglers? Nope? Ok now is your time to rectify this. Parlophone have reissued the bands 1977-1982 studio albums under the name The Classic Collection.

The Raven

These reasonable priced reissues (all single discs) have unfortunately not been remastered, which is a bit of a missed opportunity. So if you already own the albums, you will probably stick with what you have, but I would recommend purchasing the new expanded version of Live (X-Cert) which has an additional 8 previously unreleased on CD tracks from the original concerts at The Roundhouse in 1977 and Battersea Park in 1978. I dare you to listen to the version of Nice ‘n’ Sleazy from Battersea on this reissue without picturing in your mind the on-stage antics from the video. You know which one I mean.

If you don’t have the albums, The Classic Collection offers a quick and easy way to collect some of the finest albums of the late 70s / early 80s. Key non-album tracks from the period are included on each album, along with lyrics (that are more readable than previous CD releases), pictures from the era and a history of the band written by David Buckley (the same history appears in the sleeve-notes of each individual album).

The band’s debut album Rattus Norvegicus still sounds dangerous and raw, 40 years after its original release.

From the violence of Sometimes, the harsh beauty of Goodbye Toulouse through to the new wave classic Hanging Around, the band’s debut still delivers on so many levels.

Every time I hear Peaches, I’m transported back to my school-days, and album closer Down In The Sewer is a dripping with acid, punk-Prog powerhouse of a song.

1977 also saw the release of No More Heroes. The title track is one of the band’s enduring classics, but the album contains often overlooked tracks such as Bitching and English Towns.

This re-issue includes two of my favourite early Stranglers tracks, the edgy paranoia of Straighten Out and the precursor to the post-punk sound of the bands 3rd album, the single 5 Minutes.

“Got anything to say? No? Well shut up!”

1978 saw the release of the bands 3rd album, Black And White. To me, this was the best sounding Stranglers album. There is a real consistency that runs through every single song.

Always a great singles band, Nice ‘n’ Sleazy was one of their finest. Like the earlier Peaches, Sleazy is a mutated version of reggae that is simply a classic Stranglers single. Outside Tokyo slows the pace before the snarling Sweden (All Quiet On The Eastern Front).

All 4  band members sound amazing throughout this album – with my favourite Hugh Cornwell guitar sound and the mighty barracuda bass from JJ Burnel. There is a beautiful symmetry on the epic Toiler On The Sea, and this reissue is topped off by the inclusion of yet another classic Stranglers single, their cover of Bacharach & David’s Walk On By. Better than the original, yes I think so.

As I mentioned earlier, the 2018 re-issue of Live X-Cert is the definitive version. The album captures the band in their most raw state.

Highlights include an incendiary 5 Minutes, a venomous Straighten Out and a speed-driven Hanging Around.

The extra tracks include a breakneck speed version of Down In The Sewer, with Bitching, Peaches and my favourite live version of  Nice ‘n’ Sleazy.

My only tattoo is of The Raven logo on my arm, so you can probably tell that this is my favourite Stranglers album. One of my few regrets is that there was no official live album released from this period, as the band switched up to another level live in 1979-1980. Track down footage of the band from this period on YouTube, you will not be disappointed.

The title track is many fans favourite song. To my ears, The Raven features JJ’s best vocal and some wonderfully inventive guitar lines from Hugh, topped with a driving, almost jazz-like percussion track from Jet and inventive, rhythmic synth lines from Dave Greenfield, delivering an absolutely beautiful song that I never tire of hearing. And I’ve heard it a lot.

Although I followed the band from early 1977, I was not allowed to see them live (my parents hated the band!) until 1979, with their gig as special guests of The Who at Wembley Stadium in August 1979 being my first live MIB experience. Hearing songs from their soon to be released album The Raven was a great way to start a long list of memorable Stranglers gigs.

nmh

Anyway, back to The Raven. Ice and Baroque Bordello still send shivers, and the band did not let up with the string of classic singles, delivering two more in the shape of Nuclear Device and Duchess. This 2018 reissue also includes the single and extended mix of one of the bands best later period singles, Bear Cage.

The most experimental Stranglers album, (The Gospel According To) The Meninblack was released in 1981. Apparently featuring a guest appearance from some bloke called Charlie, this album heralded in the darkest period in the band’s history. Just Like Nothing On Earth still sounds like the future, and Two Sunspots really should have been released as a single. Second Coming has grown into my favourite song from the album over the many years since the albums release.

Another great single (which cost me 79p back in the day, fact fans) is included on this 2018 reissue – Who Wants the World, along with a track that was only available at the time on a US import album,  Vietnamerica.

The final album in The Classic Collection reissue series is from later on in 1981, La Folie. Most people will know this album from the huge hit Golden Brown, but the album offered much more than this iconic single. Let Me Introduce You To The Family may not have performed well in the charts, but it was a great single, and sounded amazing live. Tramp, with its powerful chorus, is the one that got away, and should have been the follow-up to Golden Brown.

Ain’t Nothin’ To It and The Man They Love To Hate were standout album tracks, and the fine production from Tony Visconti gives the band a new edge for the emerging decade.

So there you have it – a welcome reissue of the first 7 classic albums from one of the UK’s best bands.

Buy The Classic Collection on Amazon

Rattus Norvegicus (1977)

No More Heroes (1977)

Black And White (1978)

Live X-Cert (1979)

The Raven (1979)

(The Gospel According To) The Meninblack (1981)

La Folie (1981)

 








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