The Vapors – Waiting For The Weekend: The United Artist & Liberty Recordings review

14 07 2021

The Vapors are releasing a 76 track deluxe 4CD clamshell box set containing the band’s first two studio albums New Clear Days and Magnets along with B-sides & single versions. The set also includes two discs of previously unreleased demos, rough mixes, alternative and live versions, including the band’s performance at The Rainbow, supporting The Jam on their Setting Sons tour in December 1979.

The material has been mastered from the original master tapes retrieved from the EMI Archives, and still sounds crisp and powerful.

The first disc contains The Vapors debut album New Clear Days from 1980. Containing the band’s signature track Turning Japanese, the album is much more than the massive hit single. Cold War captures perfectly the post-punk influenced new wave sound of 1979 / 1980.

My favourite track on the album is the nuclear paranoia riddled Bunkers.

“I went down the road to see the end of the movie
‘Cause I really like the part where the heroine dies
She takes away so many million secrets
But she tells just a few before she closes her eyes”

The agitated bass-line and wonderful drums and percussion backbeat drives this frenetic album highlight. Waiting For The Weekend and the album closer Letter From Hiro also serve as powerful statements.

The remainder of disc one collects the remaining tracks released during this period, including the single Prisoners, b-side Here Comes The Judge (Live), a single edit of News At Ten, a shortened edit of Turning Japanese and the first of three previously unreleased tracks, Move (Demo), which has a guitar sound reminiscent of the style of John McGeoch, who was a member of Magazine around this time.

The expanded version of second album Magnets from 1981 opens with single Jimmie Jones, followed by the Bowie influenced, more experimental sound of Spiders, which showed that the band’s musical vocabulary was expanding. Spiders should have been a hit single, it was made for the airwaves of 1980.

Isolated Case is a Banshee’s influenced, post-punk slice of pop, and has aged well. Live At The Marquee has an interesting, intelligent arrangement and a killer, speed infused 60s pop chorus.

“But we’re alive at the marquee”

Its a real shame that the lack of record company promotion harmed the prospects of Magnets, as it has a much more varied sound than the debut, and deserved to be heard by more people. Maybe that time is now?

I have a lot of love for Daylight Titans, with it’s Banshees meets The Comsat Angels flavour.

“But what hurts me is I never get the time
To say or do even half of what I’m feeling”

Can’t Talk Anymore adds some Dave Edmunds / Nick Lowe pop sensibility to a dark lyric. The haunting title track Magnets closes the original album running order, with a slow-burning arrangement and a powerful mantra to close the song.

The motorcade is never-ending…”

B-side Galleries For Guns and the single / remixes, plus an archive interview with Dave Fenton, complete disc two.

Disc Three is New Clear Days (Alternative Versions). Containing demos, alternative versions and rough mixes of the songs from the album. One of the highlights is Turning Japanese (Alternative Version), which has added synths and percussion and sounds like it could be from slightly later than 1980. Its interesting to hear, but the original is still the best! Another highlight is the spirited Letter From Hiro (Rough Mix).

Just as interesting is the final disc, which comprises Magnets (Alternative Versions) & Live At The Rainbow 03/12/1979.

This disc contains two previously unreleased songs. A studio cut of Secret Noise, which probably would have been more suited to the debut album, and a live version of Caroline recorded at The Rainbow in 1979. The Rainbow show highlights the band before they were successful. Its strange hearing a live performance of Turning Japanese with no roar during the iconic intro.

The Vapors – Waiting For The Weekend: The United Artist & Liberty Recordings is a great way to collect the recordings from the first incarnation of the band, and its also a good opportunity for a timely reappraisal of the band’s second album, Magnets.

The Vapors reformed in 2016 and in 2020 released their excellent third album studio album Together, that included a career highlight in Girl from the Factory. So hopefully lots more to come from this great band.

Buy The Vapors – Waiting For The Weekend: The United Artist & Liberty Recordings 4 CD Boxset

Disc One: New Clear Days (Expanded Version)

Spring Collection
Turning Japanese
Cold War
America
Trains
Bunkers
News At Ten
Somehow
Sixty Second Interval
Waiting For The Weekend
Letter From Hiro

Bonus Tracks

Prisoners
Sunstroke
Here Comes The Judge (Live)
News At Ten (Single Version)
Wasted
Talk Talk
Waiting For The Weekend (Single Version)
Billy
Turning Japanese (Edit)
Move (Demo)

Disc Two: Magnets (Expanded Version)

Jimmie Jones
Spiders
Isolated Case
Civic Hall
Live At The Marquee
Daylight Titans
Johnny’s In Love (Again)
Can’t Talk Anymore
Lenina
Silver Machines
Magnets

Bonus Tracks

Galleries For Guns
Jimmie Jones (Single Version)
Daylight Titans (Single Version)
Spiders (Single Version)
Interview With Dave Fenton

Disc Three: New Clear Days (Alternative Versions)

Spring Collection (Demo)
Turning Japanese (Alternative Version)
Cold War (Rough Mix)
America (Demo)
Trains (Rough Mix)
Bunkers (Demo)
News At Ten (Alternative Version)
Somehow (Instrumental)
Sixty Second Interval (Demo)
Waiting For The Weekend (Demo)
Letter From Hiro (Rough Mix)
Turning Japanese (Edit) (Demo)
Prisoners (Demo)
Wasted (Rough Mix)
Spring Collection (Rough Mix)
Turning Japanese (Alternative Extended Mix)
Cold War (Rough Mix Edit)
America (Instrumental)
Waiting For The Weekend (Rough Mix)
Cold War (Alternative Rough Mix)
Turning Japanese (Instrumental)

Disc Four: Magnets Alternative Versions & Live At The Rainbow 03/12/1979

Jimmie Jones (Rough Mix)
Civic Hall (Rough Mix)
Live At The Marquee (Rough Mix)
Johnny’s In Love (Again) (Rough Mix)
Galleries For Guns (Rough Mix)
Secret Noise
Galleries For Guns (Alternative Rough Mix)

Live At The Rainbow 03/12/1979

Caroline
Somehow
Bunkers
Sunstroke
Cold War
Waiting For The Weekend
Sixty Second Interval
Spring Collection
Turning Japanese
America
Prisoners

Buy The Vapors – Waiting For The Weekend: The United Artist & Liberty Recordings 4 CD Boxset





Musik Music Musique 1980 – The Dawn Of Synth Pop album review

22 06 2020

Musik Music Musique is a 3 CD compilation from Cherry Red, chronicling the beginnings of the synth-pop music revolution that was to dominate the charts for years to come. Whilst containing well-known names from the era (Buggles, The Human League, Ultravox and Spandau Ballet) the tracks chosen from these artists are not the obvious big-hits.

The real discoveries and delights in this compendium are the more obscure tracks, from the likes of XYNN, Nick Nicely and other acts who often released just a handful of songs before disappearing forever.

The first of the 3 CDs contains one of Orchestral Manoeuvres In The Dark’s finest earlier songs, the naggingly addictive Messages. The Human League are represented by their cover of Mick Ronson’s Only After Dark, taken from the final album produced by the line-up that featured Martyn Ware and Ian Craig Marsh, who left the League to form Heaven 17 with Glenn Gregory later in 1980.

Victims of the Riddle was the debut single from Toyah (it was actually released in 1979, but we will let that slip!). A keyboard driven song, with minimal guitar, it sits well on this compilation. Waiting by Ultravox is a good choice, as is Hazel O’Connor’s Sons And Lovers, with tribal drums offsetting the sax and synth squelches.

My favourite track on Disc One is from one of the most under-rated albums of the 80s, Sympathy from the debut (and only) album from Pauline Murray and the Invisible Girls. Pauline was the vocalist in new wave band Penetration, and this Martin Hannett produced album saw Murray move in a more electronic direction. If you haven’t heard this album, its definitely worth investigating.

The compilation’s title track is from Zeus aka producer Zeus B. Held (Fashion’s Fabrique, John Foxx’s The Golden Section, Pete Wylie Sinful) and is a charming vocoder delivered pop song. XYNN (German multimedia artist Michael Winter) delivers the sparse and haunting Computed Man.

Gina X Performance (another Zeus B. Held collaboration) is represented by Vendor’s Box, a fuller arrangement than a lot of the purely electronic tracks on this compilation.

Lawnchairs by US band Our Daughter’s Wedding uses a similar synth sequence to the OMD track that kicks off the first CD, and is a regular on alternative 80s compilations / 80s themed radio.

Two of my favourites (from the songs I was unaware of previously) sit on the first CD. Diamonds, Fur Coat, Champagne by Suicide was produced by Ric Ocasek of The Cars, and DCT Dreams by Nick Nicely is a lo-fi masterpiece, overflowing with more than it’s fair share of pop hooks.

The second disc opens with a key early Spandau Ballet track Glow, and a hidden gem from Robin Scott’s M in Official Secrets (avoiding the obvious Pop Muzik, great song as it is).

Galactica from French space-rock band Rockets is well sequenced next to Kim Wilde’s album track Tuning In Tuning On and Landscape’s European Man, which pre-dated their most well-known song from 1981, Einstein a Go-Go. Admit it,that song is stuck in your head now, isn’t it?

Melbourne band The Metronomes provide a “Ray Bradbury inspired tale of star-crossed love between two computing devices” with their contribution A Circuit Like Me, that cosies up to one of John Foxx’s early, icy slice of the future singles No One Driving.

The most well-known track on this compilation is the Midge Ure assisted Philip Lynott (Thin Lizzy) single Yellow Pearl, a song that was used as the theme for Top Of The Pops during the first half of the decade.

Dalek I Love You (Destiny) by Liverpool’s Dalek I is a premium slice of electronic new wave influenced pop. French band Taxi Girl contribute an early single in Mannequin. Fans of The Stranglers will remember Taxi Girl from the 1981 La Folie tour and the JJ Burnel produced / Jet Black featuring Seppuku album in 1982.

This World Of Water, a no 31 with a bullet UK singles hit by New Musik, a band formed by producer Tony Mansfield, sits in the track list just before one of my favourite Japan songs, the Roxy Music Manifesto influenced Quiet Life.

The third and final disc opens with one of Buggles finest songs, Astroboy (And The Proles On Parade). Last year there were rumours of a new, third Buggles album. Here’s hoping….

The second song titled Mannequin is from Glasgow’s Berlin Blondes, with a great mixture of new wave basslines and electronic synth lead lines. Yello supply a scratchy, discordant Bimbo and the pure-pop quota is increased by The Lonely Spy from David Balfe and Bill Drummond’s Lori And The Chameleons project.

Blood Donor serve up a quirky Doctor Who homage and The Korgis Drawn And Quartered highlights a different side to the band who had a huge hit with the dreamy Everybody’s Got to Learn Sometime.

The debut album from Visage was so influential, and single Mind Of A Toy features here. The handclaps and slap-bass mutant funk of Mataya Clifford and the track Living Wild adds a wild sense of fun to the final disc.

Karel Fialka’s The Eyes Have It was a near-hit in 1980, and received lots of radio play at the time. The Russians Are Coming by The Red Squares is a short track driven by cold war paranoia.

The compilation ends with La Düsseldorf and their boozy sounding Dampfriemen, drawing on early Kraftwerk and what sounds like too many visits to Bavarian Bierkeller’s. Dampfriemen is the only song on the album featuring a kazoo solo along side the electronic instruments, so a fitting end to this entertaining glimpse into the birth of 80s synthpop.

Disc one

Messages – Orchestral Manoeuvres In The Dark
Musik, Music, Musique – Zeus
Coitus Interruptus – Fad Gadget
Computed Man – XYNN
Metal Love – Rod Vey
Vendor’s Box – Gina X Performance
Lawnchairs – Our Daughter’s Wedding
Tokyo – Science
Only After Dark – The Human League
Victims Of The Riddle – Toyah
DCT Dreams – Nick Nicely
Diamonds, Fur Coat, Champagne – Suicide
Waiting – Ultravox
Money – Moebius
Falling Years – The Fallout Club
Da Vorne Steht Ne Ampel – Der Plan
No, Nothing, Never – Dark Day
Sons And Lovers – Hazel O’Connor
Sympathy – Pauline Murray And The Invisible Girls

Disc two

Glow – Spandau Ballet
Official Secrets – M
Chip n Roll – Silicon Teens
Galactica – Rockets
Tuning In Tuning On – Kim Wilde
European Man – Landscape
Can’t You Take A Joke? Ha Ha Hi Hi! – Henriette Coulouvrat
A Circuit Like Me – The Metronomes
No One Driving – John Foxx
Kebabträume – D.A.F.
Harmonitalk – Gary Sloan And Clone
Yellow Pearl – Philip Lynott
Dalek I Love You (Destiny) – dalek I
Mannequin – Taxi Girl
This World Of Water – New Musik
Quiet Life – Japan
Chase The Dragon – Kevin Harrison
Diskomo – The Residents

Disc three

Astroboy (And The Proles On Parade) – Buggles
Mannequin – Berlin Blondes
A Certain Way To Go – The Passage
Between – Sic
Bimbo – Yello
Images Of Delusion – Genocide
The Lonely Spy – Lori And The Chameleons
Lucy – Craze
I’m A Computer – The Goo-Q
Doctor …? – Blood Donor
Brushing Your Hair – Alex Fergusson
Drawn And Quartered – The Korgis
Mind Of A Toy – Visage
D’ya Think I’m Sexy – British Standard Unit
Living Wild – Mataya Clifford
Private Lives – Systems
The Eyes Have It – Karel Fialka
Suis-je Normale – Nini Raviolette
China Blue Vision – Eyeless In Gaza
The Russians Are Coming – The Red Squares
Dampfriemen – La Dusseldorf

Released on 31 July 2020.

Buy Musik Music Musique 1980 – The Dawn Of Synth Pop





The Stranglers – In The Shadows (deeper cuts)

10 07 2018

Here’s my latest playlist for you to listen to, hopefully enjoy and share. My previous playlists have been themed – Alternative Jewels (say hello to the modern) and Date Stamp – the 80s (part1)  This is the first playlist dedicated to one band.

That band is one of the most successful UK new wave bands, The Stranglers. I have avoided most of the band’s most well-known songs, though I let a few slip through into the playlist. The list could have been a lot longer, it took remarkable self-restraint to leave songs out, so forgive me if your favourites are not included.

USA EP

The playlist gets underway with Goodbye Toulouse and Hanging Around, from the band’s debut album Rattus Norvegicus. Neither tracks were singles, but they highlight the raw psychedelic sound of the bands first few albums, and were staples of the live set for years to come.

English Towns is the representative from the No More Heroes album. although I have also included 5 Minutes (one of their most powerful singles) and it’s B side, the ballardian Rok It To The Moon, that both feature on the No More Heroes CD re-issue from 2018.

Outside Tokyo is a beautiful, bittersweet spiky waltz from Black And White, the final Stranglers studio album produced by legendary producer Martin Rushent. Curfew is a paranoid, dystopian tale driven by Burnel’s barracuda bass perfectly coupled with Jet Blacks jazz tinged drums, and a classic Burnel / Cornwell jointly sung chorus.

Walk on By is the definitive version of this song for me. I have probably heard it hundreds of times – blaring out of my transistor radio on its release in 1978, on 7″ vinyl, cassette, CD and live, yet I never tire of the song. Its so easy to get lost in the middle section with the wild solos from Dave Greenfield and Hugh Cornwell.

wob

The title track to 1979’s The Raven is another song that never grows old. I could not leave out Baroque Bordello, the song with one of the best intros in the bands large catalogue. Listen to this, and tell me that the band were not influenced by prog rock!

G.m.b.H is a hybrid of the 12″ and 7″ versions of Bear Cage, from the US import album IV, that lots of fans bought on mail-order from ads in the back of NME or Melody Maker (this was pre-internet) to get the previously unreleased, Doors influenced track Vietnamerica. It took me years to track down the rare USA CD issue of IV – and its not for sale, so don’t ask!

“You can keep your Brussels and Amsterdam 
Give me back my summer in Dresden, man” 

Second Coming (which sounded amazing live at the time) and the single Just Like Nothing On Earth feature from The Gospel According To The MenInBlack, which found The Stranglers at their most experimental. Weird and totally wired.

“A woman in Wellington wet her whistle with a wild man,
From way back when.”

Who Wants The World (yes, it did cost 79p) scraped into the lower reaches of the UK singles chart in 1980, but is still a great single, and continues the UFO theme of The Gospel According To The MenInBlack.

wwtw

Ain’t Nothin’ to It is an often overlooked track from La Folie, the album that included the bands biggest hit, Golden Brown.

My playlist ends in 1983, with the 7″ mix of Midnight Summer Dream, and the haunting Never Say Goodbye from the acoustic diversion of the Feline album.

I hope you enjoy this playlist – please follow me on Twitter @mrkinski to find out about future playlists that I put together.








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