The boxset edition (which like the previous TFF box-sets, is likely to sell-out at some point down the line) includes a Steven Wilson 5.1 surround sound mix on the bluray, whilst the other 4 CDs in the boxset contain a remaster of the album, a CD of b-sides, remixes and edits plus two CD’s of unreleased audio (including alt mixes and demos).
The booklet for the box-set includes interviews and notes by Paul Sinclair who runs the excellent Super Deluxe Edition website.
The Prince Estate is continuing to release his studio albums in expanded form, complete with material from his legendary Vault. Considered by many to be his masterpiece, Sign O’ The Times is being issued on vinyl and CD, remastered and overflowing with extras.
The super deluxe edition (8 CD and 1 DVD) includes all the audio material that Prince officially released in 1987, as well as 45 previously unreleased studio songs recorded between May 1979 and July 1987, and a complete live audio performance from the June 20 1987 show on the Sign O’ The Times Tour at Stadium Galgenwaard in Utrecht, The Netherlands.
Also included is a brand-new DVD containing the complete, previously unreleased New Year’s Eve benefit concert at Paisley Park on December 31 1987, which was Prince’s final performance of the Sign O’ The Times Tour stage show and his only on-stage collaboration with jazz legend Miles Davis.
Weighing in at a hefty price, this is a real collectors edition – and includes a 120-page hardcover book with previously unseen images and hand-written lyrics.
The super deluxe edition (like the 1999 super-deluxe) is likely to sell-out, and become a collectors item. If you are fan of Prince, the super deluxe is a treasure trove of unreleased music, plus one of the greatest albums of all time in remastered form. Dig deep, it will be worth it!
Sign O’ The Times Play In The Sunshine Housequake The Ballad Of Dorothy Parker It Starfish And Coffee Slow Love Hot Thing Forever In My Life
Remastered Album (CD 2)
U Got The Look If I Was Your Girlfriend Strange Relationship I Could Never Take The Place Of Your Man The Cross It’s Gonna Be A Beautiful Night Adore
Single Mixes & Edits (CD 3)
Sign O’ The Times (7” single edit) La, La, La, He, He, Hee (7” single edit) La, La, La, He, He, Hee (Highly Explosive) (7” single edit) If I Was Your Girlfriend (7” single edit) Shockadelica (“If I Was Your Girlfriend” B-side) Shockadelica (12” long version) U Got the Look (Long Look) (12” edit) Housequake (7” edit) Housequake (7 Minutes MoQuake) I Could Never Take The Place Of Your Man (Fade 7” edit) Hot Thing (7” single edit) Hot Thing (Extended Remix) Hot Thing (Dub Version)
Vault, Part 1 (CD 4)
All tracks previously unreleased
I Could Never Take The Place Of Your Man (1979 version) Teacher, Teacher (1985 version) All My Dreams Can I Play With U? (featuring Miles Davis) Wonderful Day (original version) Strange Relationship (original version) Visions The Ballad Of Dorothy Parker (with horns) Witness 4 The Prosecution (version 1) Power Fantastic (live in studio) And That Says What? Love And Sex A Place In Heaven (Prince vocal) Colors Crystal Ball (7” mix) Big Tall Wall (version 1) Nevaeh Ni Ecalp A In A Large Room With No Light
Vault, Part 2 (CD 5)
All tracks previously unreleased
Train It Ain’t Over ‘Til The Fat Lady Sings Eggplant (Prince vocal) Everybody Want What They Don’t Got Blanche Soul Psychodelicide The Ball Adonis And Bathsheba Forever In My Life (early vocal studio run-through) Crucial (alternate lyrics) The Cocoa Boys When The Dawn Of The Morning Comes Witness 4 The Prosecution (version 2) It Be’s Like That Sometimes
Vault, Part 3 (CD 6)
All tracks previously unreleased
Emotional Pump Rebirth Of The Flesh (with original outro) Cosmic Day Walkin’ In Glory Wally I Need A Man Promise To Be True Jealous Girl (version 2) There’s Something I Like About Being Your Fool Big Tall Wall (version 2) A Place In Heaven (Lisa vocal) Wonderful Day (12” mix) Strange Relationship (1987 Shep Pettibone Club Mix)
Live In Utrecht (CD 7 & CD 8)
All tracks previously unreleased
Intro/Sign O’ The Times Play In The Sunshine Little Red Corvette Housequake Girls & Boys Slow Love Take The “A” Train/Pacemaker/I Could Never Take The Place Of Your Man Hot Thing Four (With Sheila E. Drum Solo) If I Was Your Girlfriend Let’s Go Crazy When Doves Cry Purple Rain 1999 Forever In My Life Kiss The Cross It’s Gonna Be A Beautiful Night
Live At Paisley Park – December 31, 1987 (DVD)
All tracks previously unreleased
Sign O’ The Times Play In The Sunshine Little Red Corvette Erotic City Housequake Slow Love Do Me, Baby Adore I Could Never Take The Place Of Your Man What’s Your Name Jam Let’s Pretend We’re Married Delirious Jack U Off Drum Solo Twelve Hot Thing If I Was Your Girlfriend Let’s Go Crazy When Doves Cry Purple Rain 1999 U Got The Look It’s Gonna Be A Beautiful Night Medley (featuring Miles Davis)
Please note – video content is exclusive to the physical DVD and will not appear on digital download or streaming versions of the Super Deluxe Edition set.
Deluxe Edition 3 CD Set Remastered Album + Single Mixes & Edits
Remastered Album (Disc 1)
Sign O’ The Times Play In The Sunshine Housequake The Ballad Of Dorothy Parker It Starfish And Coffee Slow Love Hot Thing Forever In My Life
Remastered Album (Disc 2)
U Got The Look If I Was Your Girlfriend Strange Relationship I Could Never Take The Place Of Your Man The Cross It’s Gonna Be A Beautiful Night Adore
Single Mixes & Edits (Disc 3)
Sign O’ The Times (7” single edit) La, La, La, He, He, Hee (7” single edit) La, La, La, He, He, Hee (Highly Explosive) (7” single edit) If I Was Your Girlfriend (7” single edit) Shockadelica (“If I Was Your Girlfriend” B-side) Shockadelica (12” long version) U Got the Look (Long Look) (12” edit) Housequake (7” edit) Housequake (7 Minutes MoQuake) I Could Never Take The Place Of Your Man (Fade 7” edit) Hot Thing (7” single edit) Hot Thing (Extended Remix) Hot Thing (Dub Version)
Lonely Boy – The Asylum Years Anthology is a 6 CD / 1 DVD collection from Andrew Gold, released by Esoteric Recordings via Cherry Red on 24 July 2020. The collection features all of the solo albums released by the singer – songwriter on the Asylum label between 1975 and 1980.
Prior to his solo career, Andrew Gold worked with Linda Ronstadt, as multi-instrumentalist and arranger for her 1974 Heart Like a Wheel album.
The Lonely Boy anthology contains the studio albums Andrew Gold (1975), What’s Wrong With This Picture (1976), All This And Heaven Too (1978) and Whirlwind (1980). The studio albums are all newly re-mastered from the original Asylum Records master tapes, and have never sounded better.
Disc 5 is titled Out-Takes And Unreleased Recordings, with disc 6 consisting of Live Recordings – Released 1976 / 1977 whilst the final disc is a DVD of promotional videos and live recordings / interviews (including quite a few from the legendary Old Grey Whistle Test TV show).
The debut album perfectly captures the mood and the sound of 1975, with a mixture of early 70s Laurel Canyon and late 60s Beatles inspired harmonies, particularly on Heartaches in Heartaches and Hang My Picture Straight.
The most familiar song on Gold’s debut is Endless Flight, that was famously covered by Leo Sayer on his best-selling 1976 album of the same name.
What’s Wrong With This Picture? contains Gold’s most famous song, Lonely Boy but is a solid mid-70s rock/pop album in its own right. Highlights include the bittersweet ballad Passing Thing, the mostly acoustic and country tinged Firefly plus a playful cover of Maurice Williams’s Stay (that was also recorded a year later by Jackson Browne, in slightly rewritten form, on Browne’s Running On Empty album).
All This and Heaven Too is the most rewarding of Gold’s solo albums from the Asylum years period. How Can This Be Love has hints of 10cc (Gold would later record with 10cc and form Wax with Graham Gouldman).
The charming space-themed Oh Urania (Take Me Away), the sparse but haunting beauty of Looking for My Love and the masterpiece that is Genevieve are career-highlights. This is the beauty of box-sets such as this, discovering songs that never made it onto mainstream radio at the time, and certainly do not feature on 70s or 80s themed radio stations now but are lost classics, crafted with love and deserving of our attention.
Most people will know the two big hits from this album, Thank You for Being a Friend (the theme to NBC sitcom The Golden Girls) and Gold’s biggest hit in my neck of the woods, Never Let Her Slip Away, which features background vocals from J. D. Souther, Timothy B. Schmit (Poco / Eagles) and rumour has it, an uncredited Freddie Mercury. Never Let Her Slip Away is one of my favourite singles from the seventies, and a perfect pop song.
The Asylum years ended with the Whirlwind album, released as the new decade began. More guitar-heavy than previous Gold albums and more in-step with current trends such the new-wave infused pop of The Police and Joe Jackson, highlights include the nods to his earlier work with Sooner or Later and the slide-guitar driven Make Up Your Mind.
The live recordings disc, with performances from 1976 and 1977 is overflowing with memorable performances, and the quality is pretty good, considering the age of the recordings.
The out-takes and unreleased recordings disc is a fascinating dip below the artist’s engine, with excellent alt-takes such as a must-hear version of Lonely Boy and a sublime bossa-nova instrumental version of Genevieve.
The sleeve-notes, lyrics and an informative essay on Gold’s work from Don Breithaupt add to the value of this essential collection for lovers of 70s music.
Lonely Boy – The Asylum Years Anthology is an excellent collection, that provides the best of the 70s work of Andrew Gold, and also serves as a charming snapshot of this period in rock and pop music.
To complete the reissue programme of the band’s catalogue, The Blue Nile have been working alongside long term producer/engineer partner Calum Malcolm to remaster the band’s final studio album High, for release on CD and (for the first time) on vinyl on 5 June 2020.
The album will be released as a two-disc Deluxe CD set, featuring nine remastered tracks plus a bonus disc consisting of four previously unreleased songs and two extended remixes.
Also available for the first time will be a 12” vinyl version featuring the nine remastered album tracks, on 180 gram black vinyl.
Often overlooked when discussing the band’s music, High is a fine album, containing one of their most moving songs, the country tinged because of toledo, the slow-burning title track and stay close, that could have comfortably sat on their debut album, A Walk Across The Rooftops.
This new Cherry Red 3 CD collection brings together all of Judie Tzuke’s recording output whilst signed to Chrysalis Records, spanning 1982 to 1983. In this period Judie released two studio albums, Shoot The Moon and Ritmo plus a live album Road Noise: The Official Bootleg.
Whilst this is not a collection of new remasters, The Chrysalis Recordings set sounds amazing and it’s a great way to add these albums to your collection at a reasonable price.
Whilst I love the first three albums (1979’s Welcome to the Cruise, Sports Car from 1980 and 1981’s I Am the Phoenix), the first album in this collection, Shoot The Moon from 1982 is my favourite (and most played) Judie Tzuke studio album.
Album opener Heaven Can Wait is driven by a wonderful rhythm section (Charlie Morgan on drums and John “Rhino” Edwards on bass) and the warm guitar and smooth keyboards add a sense of tension to this emotional song.
“I’m the ghost in your headlights”
Single Love On The Border was more in the style of the previous albums, and is a good pop/rock song that should have had more of an impact in the singles charts.
Beacon Hill brings a jazzy vibe, with it’s rhodes piano and fretless bass.
“We get in trouble when we look too far”
The trusty rhodes makes another welcome appearance, accompanied by a Roland CR-78 drum machine for the touching ballad Don’t Let Me Sleep, that highlights the emotional range of Judie’s vocals.
I’m Not A Loser was also a single, and perfectly captures the sound of late 70s, early 80s classic / FM rock.
Liggers At Your Funeral did not really resonate with me on release, but listening to this song in later years, it is one of my favourite tracks on the album. The heavily processed guitar from Mike Paxman along with the twists and turns in the arrangement turn this song into an album highlight that I never tire of hearing.
The originally sequenced album ends with the upbeat carousel of Water In Motion and the short acapella title track.
There are four bonus tracks on this version of Shoot The Moon – the b-sides Sold A Rose and Run On Luck plus demos of I’m Not A Loser and How Do I Feel. Whilst these are interesting, for me the album will always end with the title track.
I saw the band live in May of 1982 at Fairfield Halls, Croydon and bought the vinyl version of Road Noise (The Official Bootleg) on release. Do not be put off by the “official bootleg” in the title, this is a professionally recorded live album, with material taken from Tzuke’s 1982 performances at Hammersmith Odeon and the Glastonbury Festival.
Road Noise contains tracks from Tzuke’s first four albums, and features the same core musicians as on Shoot The Moon, apart from Jeff Rich who replaces Charlie Morgan on drums.
Road Noise open with a stunning version of Heaven Can Wait, which segues (why does no-one do that anymore) into Chinatown from Tzuke’s second album, Sports Car. This is the sound of collection of musicians at the top of their game.
The Shoot The Moon album is well represented on Road Noise, as are tracks from the previous three studio albums. You Are The Phoenix from the previous years I Am the Phoenix features a fabulous Mike Paxman guitar solo.
The title track of Sports Car is one of only two songs from that album on Road Noise, whilst debut album Welcome To The Cruise is represented by 6 tracks. Highlights from this album include the sung to backing track, mostly acapella For You and the big hit, the instantly recognisable Stay With Me Till Dawn, which sounds as good today as it did when first released in 1979.
Come Hell or Waters High is a fine FM ballad, at its most powerful with a simple mix of piano and voice, and a restrained live arrangement as the song progresses. City of Swimming Pools, in hindsight, is a mix of FM rock and prog. The vocal arrangement works well as the song takes us on an increasingly progressive journey.
“City of swimming pools Where you can buy anything”
The album ends with a rare (at the time) Tzuke cover version, of The Hunter which was first recorded in 1967 by Albert King. As well as being a very good live album, Road Noise serves as a fine introduction to the first four albums.
The final album in this collection is Ritmo from 1983. This album is a much more synth-heavy collection of songs, and sadly, that’s the albums downfall.
The China Crisis sounding first single from the album, Jeannie No, opens the album, and is a strong pop song. She Don’t Live Here Anymore, despite the more synthetic than usual sounding drums, has haunting qualities and so has stood the test of time fairly well.
Shoot from the Heart works well with an electronic backing that builds as layers of guitar and synths plus backing vocals are added. Face To Face has more of the feel of earlier Tzuke material, but the drum sounds let it down.
Another Country is a bit of mis-step, and a track I skip pretty quickly. The chorus of Nighthawks lifts the album but the following two tracks, Walk Don’t Walk and Push Push, Pull Pull (with it’s Mick Karn alike basslines) have really not stood the test of time.
The album’s final track, How Do I Feel works a little better. The interesting vocal arrangement on the chorus is a strength, but by the end of the album I am left feeling that I wish the Simmons SDS series of drums had never been invented (even though I once owned one myself).
An extended and a 7″ version of Jeannie No ends this version of the album, which overall is a bit of a mixed bag for me, but the inclusion of Shoot The Moon and Road Noise make this a must-buy collection for anyone interested in the work on one of the UK’s finest singer-songwriters.
35 years after its original release comes this 2 CD digipak edition of the band’s third studio album Perhaps plus related bonus tracks. Released via Cherry Red on 31 January 2020, the first disc features the 10 original album tracks plus four instrumentals that were included on the original cassette release of the album. These bonus tracks are appearing on CD for the first time.
Disc Two features all the related bonus tracks for which master tapes still exist. This includes the extended versions of singles Those First Impressions, Waiting For The Loveboat and Take Me To The Girl, plus single versions of Waiting For The Loveboat, Breakfast and Take Me To The Girl. Other tracks include 7” and 12” b-sides.
This is the best that the album has sounded. Perhaps was a long time in the making and featured four different producers, Heaven 17’s Martyn Ware, Martin Rushent (The Stranglers / Human League), Dave Allen and Greg Walsh. This new remaster was carried out by Dave Turner at 360 Mastering.
If you have not heard the original album from early 1985, it is very different from the playful and mischievous Sulk, its mind-blowing predecessor released in 1982. With Alan Rankine no longer a part of the band, this is a shinier, more radio-friendly version of The Associates. The album has mostly aged well and is certainly worthy of investigation if you are new to The Associates, or are a fan of 80s music.
Those First Impressions contains trademark Mackenzie vocals and a Club Country like bassline, but at a slower pace than a lot of the Sulk material. Waiting For The Loveboat feels like the theme to a long-lost saucy 80s sitcom, and contains wry lyrics and some awe-inspiring vocals from the boy Billy.
“Knowing what you want and taking full advantage”
The title track dials up the tempo and feels more like an early Associates track, with some fine guitar lines from Steve Reid. Unusually for the time, a lot of the tracks come in around the 6 minute plus mark.
“Perhaps, she’ll be my truest love. Perhaps, I’m just not good enough.”
Schampout passed me by on initial release, and I feel the same today. Helicopter Helicopter is slightly better, but pales in significance compared to what comes next.
Breakfast is simply one of the best Associates tracks. The range of Mackenzie’s vocals, from the deep vibrato to the soaring, lung-busting high notes that give you goosebumps, still stops me in my tracks when I hear this song. It’s my favourite of all Billy’s vocal performances.
“Talk to me, I’ll stay these vagabond nights Walk with me, someone is waiting in light”
And the end section – just a metronomic drum machine, the addictive piano motif and heart-wrenching strings, serves up one of my favourite endings to a song. So simple, yet so emotional.
Thirteen Feelings, with its fairground waltz keyboards, lifts you after the melodrama of the previous song.
“Deeper days of quintessential innocence I’ve never felt so far away”
The Stranger In Your Voice always felt like something David Bowie would have recorded to me, and is another song that has grown on me over the years since first hearing the album on cassette back in the mid-80s.
The Best Of You is a duet with Eddi Reader (replacing two earlier ‘lost’ versions with Annie Lennox and Gina X). The album proper ends with the uptempo Don’t Give Me That I Told You So Look, and is completed with four instrumental cuts.
Highlights of Disc Two include extended versions of Those First Impressions and Waiting For The Loveboat with its manic end section.
Breakfast (Edit) features a very different mix and vocal to the original, and doesn’t have the same emotional effect as the album version. Though truth be told, there could never be a bad version of this song.
The Breakfast 12″ (and rare Associates cover version) Kites is a welcome addition to this reissue, harking back to the feel of early Associates releases.
Take Me To The Girl is a post Perhaps single release (I think I have a 10″ vinyl version somewhere) and a very commercial song, presented here in all its released versions (Single Version, the 12” Mix, instrumental and the delicious acoustic torch-song version The Girl That Took Me).
“So take me to the girl that I once knew Does she know what I’ve been going through? I’ve been searching for her everywhere I think my darling’s gone; I didn’t care”
This 2020 reissue also includes a 20 page booklet, that includes a UK discography and extensive sleeve-notes written by Andy Davis.
So is it worth investing in this version of Perhaps? I would say yes (not perhaps!) – its a much more rewarding version than the only other CD release, a shared re-issue with The Glamour Chase in 2002, that included none of the associated tracks that appear on this definitive Cherry Red edition.
Those First Impressions Waiting For The Loveboat Perhaps (Dave Allen Remix) Schampout Helicopter Helicopter Breakfast Thirteen Feelings The Stranger In Your Voice The Best Of You (Billy Mackenzie & Dave Allan Remix) Don’t Give Me That I Told You So Look Perhaps (Instrumental) (Bonus Track) * Breakfast Alone (Instrumental) (Bonus Track) * Thirteen Feelings (Instrumental) (Bonus Track) * The Stranger In Your Voice (Instrumental) (Bonus Track) *
Disc Two: Bonus Tracks
Those First Impressions (Extended Version) * Waiting For The Loveboat (Single Version) Waiting For The Loveboat (Extended Version) * Waiting For The Loveboat (Slight Return) Perhaps Perhaps * Schampout (Edit) * Breakfast (Single Version) Breakfast (Edit) Kites Take Me To The Girl (Single Version) Take Me To The Girl (12” Mix) * Take Me To The Girl (Instrumental) * The Girl That Took Me *
Re-mastered from the original master tapes, Ultimate Dollar contains 6 audio discs and a DVD, which contains all their videos and several TV appearances.
The reason for my mentioning the collection on this site is that the box-set will be of particular interest to Trevor Horn fans. Discs three and four cover the Gold certified The Dollar Album era. This Dollar album includes four Trevor Horn productions and co-written songs, and also includes Trevor Horn on bass guitar plus Bruce Woolley and Anne Dudley (keyboards & synthesizers) on the Horn produced singles.
Also included is the Mirror Mirror (Mon Amour) (Demo), with what sounds suspiciously like Trevor Horn on vocals.
This expanded edition includes newly commissioned 12” versions of all five top 40 hits contained on the album, mixed from the original multi track tapes – Hand Held In Black And White (UK #19), Mirror Mirror (Mon Amour) (UK #4), Give Me Back My Heart (UK #4), Videotheque (UK #17) and Give Me Some Kinda Magic (UK #34), as well as backing tracks, B-sides and instrumentals of many songs.
The box-set also includes newly commissioned vintage style 12” mixes of Mirror Mirror, Give Me Back My Heart, Hand Held In Black And White, Videotheque, Give Me Some Kinda Magic and Love’s Gotta Hold On Me from the original multi track tapes.
The box-set also includes a detailed booklet containing track-by-track commentary from Thereza Bazar and many others involved in the releases, as well as photos, detailed liner notes on each disc, and The Dollar Songbook lyrics.
The previous CD release was part of a double-pack featuring The Glamour Chase, from 2002. This new Cherry Red edition is the first CD release featuring an expanded track-listing.
Originally released in February 1985 after exhaustive recording sessions, Billy Mackenzie finally followed up the 1982 Associates album Sulk with this 10 track offering. The album featured four different producers, Heaven 17’s Martyn Ware, Martin Rushent, Dave Allen and Greg Walsh.
Disc One features the 10 original album tracks plus four instrumentals that were included on the original cassette release of the album. These bonus tracks are appearing on CD for the first time.
Disc Two features all the related bonus tracks for which master tapes still exist. This includes the extended versions of singles Those First Impressions, Waiting For The Loveboat and the wonderful single Take Me To The Girl, plus single versions of Waiting For The Loveboat, Breakfast and Take Me To The Girl. Other tracks include 7” and 12” b-sides.
Housed in a digipak containing a 20 page page booklet, a UK discography and extensive sleeve-notes written by Andy Davis.
Esoteric Recordings are releasing a re-mastered five-disc deluxe box-set limited edition (comprising 4 CDs and a DVD) of Modern Music, the 1976 album by Be-Bop Deluxe.
This expanded reissue has been newly re-mastered from the original master tapes and features an additional 55 bonus tracks including new 5.1 surround sound & stereo mixes from the original multi-track tapes by award winning engineer Stephen W. Tayler, out-takes from the album sessions, a BBC Radio “In Concert” performance from October 1976, along with a bonus CD of a previously unreleased “official bootleg” of a performance at The Riviera Theater in Chicago in 1976 recorded for FM Radio on Be Bop Deluxe’s first US tour.
The set also includes visual material taken from a session for BBC TV’s “Old Grey Whistle Test” show broadcast in November 1976.
The DVD material (including the 5.1 mixes) is not reviewed here, as review copies were not provided.
Modern Music was released just prior to the arrival of punk and new wave, a sound and attitude that would inform Nelson’s releases for the next few albums. The music on this album is a mixture of classic and progressive rock, with wonderful harmonies, nods to early David Bowie (particularly the Ziggy Stardust era) and a covers a variety of genres.
Twilight Capers is a delight – revelling in the genre-switching that was prevalent in this period – moving from ballad, via jazz-rock to reggae – all in the one track! The Doors like end section, with its powerful production touches hits the sweet spot every time.
The light and breezy Kiss Of Light reminds me of the City Boy debut album (a wonderful classic rock band that seems to have been written out of history) that was also released in 1976. Modern Music was written on the road, and seems to be Bill Nelson’s reflections on America at the time.
Nelson writes in the box-set booklet:
“…many of the songs on Modern Music were written in hotel rooms whilst touring America and some of them directly relate to the growing disillusion I was feeling with life on the road.”
The Gold At The End Of My Rainbow is a charming song, written by Nelson at a sound-check, lamenting his faraway love.
The Modern Music suite is the highlight for many fans of this or any Be-Bop Deluxe album. You can hear a snippet of the late John Peel in the suite’s intro to the title track, which radiates West-Coast sunshine.
Down On Terminal Street is overflowing with wonderful lyrical imagery, and I love the way the church-bells chime amongst the heavy guitars and synths in the songs intro and end section.
“The street cafe was closed to all but ghosts Who glide the alleys searching for their lair”
Make The Music Magic returns to the more commercial sound of the early songs, but in a stripped back acoustic setting.
Disc two of this box-set is a new stereo mix of the album. The mix feels much wider, and individual instruments are noticeably clearer. As are the vocals – you can hear the reverb on Nelson’s vocals on Down On Terminal Street with such clarity, its like hearing the album for the first time. I defy you to not crank up the volume on this new mix.
This disc also includes the stunning 8 minutes long Shine (New Stereo Mix), which reminds me a little of Bowie’s Stay from Station To Station.
Disc three is a BBC Radio One “In Concert” taken from the band’s headlining show from 2 October 1976 London’s Hammersmith Odeon. The highlights of this disc for me are the live takes of Ships In The Night and the 12 minute plus Modern Music. It’s a good quality recording, given its age.
Disc four is a recording from the Riviera Theater in Chicago on 21 March 1976, where Be-Bop Deluxe opened for Thin Lizzy. The band’s set was mixed and broadcast live by the local radio station WXRT-FM. The concert included in the band’s set Bill’s Blues, which was never developed further on record. Sadly this “official” bootleg is for completists only, as at times its not as good quality as the sound of disc 3, and you can see why Bill’s Blues was left unreleased – it’s just a standard blues jam. There is audible distortion / clipping and hiss, so not a disc I will be returning to.
Nevertheless, this is a lovingly curated box-set, topped off with an entertaining 68 page book, that gives context to the band and the individual tracks, along with many previously unpublished images. If you are a fan of Bill Nelson’s work in Be-Bop Deluxe, or are a fan of 70s rock, there is much to enjoy in this box-set.
Disc One: Cd Modern Music The Original Stereo Mix:
Orphans Of Babylon
Twilight Capers
Kiss Of Light
The Bird Charmers Destiny
The Gold At The End Of My Rainbow
Bring Back The Spark
Modern Music
Dancing In The Moonlight (All Alone)
Honeymoon On Mars
Lost In The Neon World
Dance Of The Uncle Sam Humanoids
Modern Music (Reprise)
Forbidden Lovers
Down On Terminal Street
Make The Music Magic Bonus Track
Shine (B-Side Of Single)
Disc Two: Cd Modern Music The New Stereo Mix:
Orphans Of Babylon (New Stereo Mix)
Twilight Capers (New Stereo Mix)
Kiss Of Light (New Stereo Mix)
The Bird Charmers Destiny (New Stereo Mix)
The Gold At The End Of My Rainbow (New Stereo Mix)
Bring Back The Spark (New Stereo Mix)
Modern Music (New Stereo Mix)
Dancing In The Moonlight (All Alone) (New Stereo Mix)
Honeymoon On Mars (New Stereo Mix)
Lost In The Neon World (New Stereo Mix)
Dance Of The Uncle Sam Humanoids (New Stereo Mix)
Modern Music (Reprise) (New Stereo Mix)
Forbidden Lovers (New Stereo Mix)
Down On Terminal Street (New Stereo Mix)
Make The Music Magic (New Stereo Mix) Bonus Tracks
Shine (New Stereo Mix)
Forbidden Lovers (First Version)
The Bird Charmer’s Destiny (First Version)
Disc Three: Cd BBC Radio One “In Concert” Recorded 2nd October 1976 At Hammersmith Odeon, London
Maid In Heaven
Bring Back The Spark
Kiss Of Light
Adventures In A Yorkshire Landscape
Fair Exchange
Ships In The Night
Twilight Capers
Modern Music I. Modern Music Ii. Dancing In The Moonlight (All Alone) Iii. Honeymoon On Mars Iv. Lost In The Neon World V. Dance Of The Uncle Sam Humanoids Vi. Modern Music (Reprise)
Blazing Apostles
Disc Four: Cd Live At The Riviera Theatre, Chicago 21st March 1976 – The Official Bootleg
Fair Exchange
Stage Whispers
Life In The Air Age
Sister Seagull
Adventures In A Yorkshire Landscape
Maid In Heaven
Ships In The Night
Bill’s Blues
Blazing Apostles
Disc Five: Dvd Modern Music– The 5.1 Surround Sound Mix / New Stereo Mix (96 Khz / 24-Bit) / Original Stereo Mix (96 Khz / 24-Bit)
Orphans Of Babylon (5.1 Mix)
Twilight Capers (5.1 Mix)
Kiss Of Light (5.1 Mix)
The Bird Charmers Destiny (5.1 Mix)
The Gold At The End Of My Rainbow (5.1 Mix)
Bring Back The Spark (5.1 Mix)
Modern Music (5.1 Mix)
Dancing In The Moonlight (All Alone) (5.1 Mix)
Honeymoon On Mars (5.1 Mix)
Lost In The Neon World (5.1 Mix)
Dance Of The Uncle Sam Humanoids (5.1 Mix)
Modern Music (Reprise) (5.1 Mix)
Forbidden Lovers (5.1 Mix)
Down On Terminal Street (5.1 Mix)
Make The Music Magic (5.1 Mix) Bonus Tracks
Shine (5.1 Mix)
Forbidden Lovers (First Version) (5.1 Mix)
The Bird Charmer’s Destiny (First Version) (5.1 Mix) Visual Content
Forbidden Lovers (BBC Old Grey Whistle Test 1976)
Down On Terminal Street (BBC Old Grey Whistle Test 1976)
Prince’s 1999, his fifth studio album, is being given the expanded deluxe edition treatment, with a lavish super-deluxe edition.
The remastered album, which was originally released in 1982, also includes single / promo edits, two discs of unreleased material from Prince’s legendary vault, and two live performances (one audio and one on DVD).
Watch 1999 from the DVD below. Bear in mind that this is a recording from late 1982, so will not be up to current visual standards, but the performance is still electrifying.
Mr Kinski's Music Shack 