Love and Endings is a recording of no-man‘s concert at the Leamington Spa Assembly in October 2011, as part of the record label Burning Shed’s 10th anniversary celebrations.
For the those not yet familiar with no-man, they are a British band comprising Tim Bowness and Steven Wilson (Porcupine Tree). Formed in 1987, no-man have produced a fine back-catalogue of work, and boast guest appearances from the likes of King Crimson‘s Robert Fripp and Pat Mastelotto, Porcupine Tree’s Colin Edwin, Richard Barbieri and Gavin Harrison, jazz musicians Theo Travis and Ian Carr, electronic artists Scanner and Faultline, Bruce Kaphan (American Music Club) and Dave Stewart (Egg/Hatfield & The North). Former members of 80s band Japan – Steve Jansen, Richard Barbieri & Mick Karn, toured and recorded with the band in the early 1990s.
Since the early 1990s, the band have existed mainly as a studio outfit, rarely venturing into the live arena, so no-man live shows are hugely anticipated events. As well as capturing one of the finest no-man live performances, Love and Endings is also a perfect introduction to the band’s music for the uninitiated. For people already familiar with the band’s music, Love and Endings may come as a surprise, as the live incarnation of the band is a powerful beast.
Recent studio releases from no-man have included twisted, dark electronica (the Wild Opera album), fragile, semi-acoustic / minimalist songs with stark lyrics (Together We’re Stranger) through to their most organic release in 2008’s Schoolyard Ghosts. Recent no-man live appearances, though few and far between, hint at a new direction, and one that will appeal to fans of Steven Wilson’s work in Porcupine Tree.
Opening track my revenge on seattle is very electronic, awash with percussive synths in it’s studio incarnation, but the Love and Endings live version is stripped back, with deep chorused bass, textured guitar and mournful violin. The joyous middle section showcases some wonderful interplay between the musicians and powerful tom / cymbal work from drummer Andrew Booker.
“maybe there’s more to life
than just righting wrongs
maybe not”
time travel in texas is another song from the mid-90’s Wild Opera album, with the 2011 live version losing it’s scratchy Portishead trip-hop atmosphere, mutating into a brooding, twin-guitar heavy assault.
all the blue changes is a more percussive take on the track that originally appeared on 2003’s Together We’re Stranger album. One of the highlights of the live set, with my favourite Bowness vocal on the album and some fine layered keyboards from Stephen Bennett.
“giving up on beautiful
and making peace with strange,
all the blue changes rearranged”
The song shifts up a couple of gears with some brutal Wilson guitar and pounding Booker drums around 3/4 of the way through, sounding like Sigur Rós on steroids or the wall of noise of Mono, I swear you can hear the audience gasp before applauding at the end!
The formerly sample-driven pretty genius is reinvented as a much looser song on love and endings, but remains true to the spirit of the original version, with some beautiful violin work by Steve Bingham, and a great sloping back-beat from Messrs Morgan and Booker.
lighthouse is my favourite no-man song, and the love and endings live version does not disappoint. It’s no-man’s most progressive sounding track, and although originally written in the early 1990s, has not aged at all. I’ve said it before, and I’ll say it again, the section of the song from 4:08 onwards is one of my favourite pieces of music of all time. It never fails to move me.
Have a listen to the Love and Endings version of lighthouse, taken from the official no-man SoundCloud, below.
“the love and endings,
the almost starts”
beaten by love is a previously unreleased no-man track, written in 1987 and performed for the first time at this show. The track displays hints of some of the darker This Mortal Coil tracks mixed with a healthy dose of Siouxsie & the Banshees, and is unlike any recent no-man material.
Following the darkest track on the album with one of the most uplifting no-man songs, wherever there is light, works well, and shows the range in singer Tim Bowness’s vocals (from beaten by love‘s growl to the soft, breathy croon on this emotive and deeply personal song).
“Jane passes through the crowds
outside the mercury lounge.
she loves the city sounds.
she feels that she’s been found.”
The live version of mixtaped is a lot looser than the Schoolyard Ghosts studio take, with some inventive percussive touches, and a wonderful mixture of textures and distorted, heavy guitar from Wilson and Bearpark, and works well as a set closer.
“you’d kill for that feeling once again”
The final track on the album was the encore on the evening, things change. The highlight of the live version of this track has always been the electric violin solo that is an integral part of the powerful outro. The version on Love and Endings is very different from previous live outings, watch the filmed version on the accompanying DVD to appreciate the performance fully.
“you walk upon the dirt and chocolate wrappers,
leaving me behind you.”
Love and Endings DVD
Love and Endings also comes with a DVD of the whole performance. The Love and Endings DVD is a very different concert film to the previous live no-man DVD, 2009’s mixtaped, which was a multi-camera shoot.
The HD footage shot by Dion Johnson (of Signify films) captures the performance and the mood of the show perfectly on just two cameras. It was filmed from the front-row of the audience, so you get a real feeling of being in the crowd, and this gives a different perspective to most live films.
The mixtaped DVD does offer a better variety of shots, and more close-ups of individual band members, features a full-length concert and an excellent no-man documentary, so perhaps should not be compared to the DVD that comes with Love and Endings. The Love and Endings film, although it has a few awkward zooms and camera angles that might not normally be kept in an official release, does capture a band performance that was better than the one on the previous DVD, and so is definitely a worthwhile addition to the no-man discography.
The concert was not filmed with a DVD release in mind but the footage came out better than was expected, and the ‘guerilla style’ does give the recording its own, unique identity and captures the performance perfectly, and so offers good value for money as an added extra.
The extra content on the DVD is a photo gallery – with an instrumental version of the live version of mixtaped as background music.
Watch the promotional video for the album / DVD below.
Love and Endings sees no-man’s core duo of Tim Bowness (vocals) and Steven Wilson (guitar) joined by classical violinist Steve Bingham and regular collaborators Michael Bearpark (guitar), Andrew Booker (drums & backing vocals), Stephen Bennett (keyboards) and Pete Morgan (bass).
Tracklist
my revenge on seattle (6.02)
time travel in texas (4.51)
all the blue changes (6.10)
pretty genius (3.58)
lighthouse (8.16)
beaten by love (3.58)
wherever there is light (5.09)
mixtaped (9.32)
things change (8.24)
The Love and Endings CD / DVD is available from The Burning Shed.
For more information on no-man, visit the no-man website, like no-man on Facebook and follow no-man on Twitter.
The pictures of Tim Bowness & Steven Wilson courtesy of Charlotte Kinson.
The 2008 Bush Hall show was certainly a memorable and emotional evening, captured perfectly by Richard Smith’s excellent mixtaped dvd. But for me, the real no-man experience was this magical 45 minutes at Leamington Spa. I’ve seen hundreds of different live shows across many genres, committing many individual live performances to memory, and of all these performances I have seen since my first live show back in 1979 (Thin Lizzy at Hammersmith Odeon, in case you are wondering), I have compiled a list of my favourite gigs (Thin Lizzy never made it into the top 10, though it was a great first gig). Vivid memories of performances by the likes of The Stranglers at The Rainbow, The Police at Lewisham Odeon, Kate Bush at the London Palladium, The Who at Wembley Stadium, Prince & the Revolution on the Parade tour, Nine Inch Nails a couple of years ago and more, have now been joined by this no-man show.
pretty genius (the third wild opera song of the evening, and no-man’s least popular album according to Tim) felt more like the album version, mainly due to the more powerful drum sound, and then there was lighthouse. A key track on the returning jesus album (and the band’s most “progressive” song) lighthouse retains its power and beauty in a live format, and the instrumental coda after the organ break always sends me somewhere. If they had played just this one track, I would have still left the venue a happy and content man.
Tim Bowness and his band – Michael Bearpark (Guitars), Steve Bingham (Violin / Loops) and Peter Chilvers (Piano / Textures) played a private show at the Estonian Embassy in London at the request of the Ambassador, Dr Margus Laidre.
California Norfolk’s Days Turn Into Years was a real surprise, as it was presented as an epic 10 minute re-reading, and was subsequently very different from the album version. The song was driven by plucked violin strings, and deviated from its original arrangement about three-quarters of the way through the performance, building towards a gradual, powerful crescendo.
Unprotected was the only song from the My Hotel Year era, and was a b-side (does that term still exist?) from the Sleepwalker single. It worked well, even when shorn of all the electronica of the studio version.
Mr Kinski's Music Shack 