Tim Bowness & Giancarlo Erra – Memories of Machines review

31 01 2022

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An expanded and remixed 10th Anniversary version of Tim Bowness and Giancarlo Erra’s 2011 album Warm Winter (now issued as Memories Of Machines, the original project name) will be released on 25th February 2022 through Kscope.

Featuring contributions from Robert Fripp, Peter Hammill, Julianne Regan, Jim Matheos, Colin Edwin, Huxflux Nettermalm, Peter Chilvers, Aleksei Saks and members of Nosound and Tim Bowness’s live bands, the album contains 12 sweeping and majestic songs.

Available on cd/dvd-a/v – with hi-res stereo and 5.1 Surround mixes – and double vinyl, the reissue contains two 2020 recordings – an album outtake and a new version of the 2006 Nosound piece Someone Starts To Fade Away – created especially for this release.

This new expanded edition of the album features a 2021 remix from the original tapes by Giancarlo Erra, and results in a very different album, with a warmer, more natural sounding release. Much as I loved the original version, I prefer this take on the songs. The songs sound more widescreen, if that makes sense? Comparing the original to this new version, the vocals are more central and more prominent in the mix, and there is more warmth added to the instrumentation. New Memories Of Machines ushers in a new era / Erra (sorry for the pun) of this classic album.

“Stories
Come out of other stories
Lead to other stories
New memories of machines”

Before We Fall features backing vocals from All About Eve’s Julianne Regan, and it’s always a joy to hear Julianne, and is a timely reminder that we need more music from one of our finest vocalists. The 2021 mix offers a smoother and more joined up version of this wonderful song. The chorus soars on this version, that contains a powerful guitar driven wall of sound.

It’s not love when we meet up
It’s not love when we speak
It’s not love when I say I can’t feel”

Beautiful Songs You Should Know has a slightly altered arrangement, with synth strings underpinning the song from earlier in the track, and the acoustic guitar is lower and less percussive in the 2021 version. As with all the songs on this re-imagining, the production feels more sympathetic, and this is not a criticism of the original, its a different, more organic listening experience.

“I want to play you
All the beautiful songs you should know.”

Warm Winter is slightly longer in this incarnation, and after all these years, it still cuts deep, with one of Tim’s finest vocals. On first listen, it was slightly jarring having the drums stripped from the majority of the arrangement, but their absence gives the song a different, more unique pace. When they do appear (in a more treated form) at the song’s conclusion, it highlights Giancarlo’s powerful guitar lines, that are also more distorted and layered than before.

Lucky You Lucky Me is a revelation, with the chorus sounding like sparkling audio diamonds have been dropped into the mix by Mr Erra. Some of the synth backing has been removed from the second verse, and simplifying the arrangement makes the chorus hit even harder. The guitar solo is different on this take – with a psychedelic, bluesy double riff suiting the more earthy arrangement and mix.

Change Me Once Again has the drums sat further back in the mix, which lets the gorgeous guitars take centre stage. A fine vocal by Mr Bowness, underpinned by the layered vocals of Julianne Regan, make this one of the album’s most rewarding songs. The Gilmour-esque guitars help make this a key track.

The piano and electronics are dialled down in the new mix of Something In Our Lives, which makes the layered chorus richer. The atmospherics and brooding mood marks a shift in tone for the album from this point on.

I’ve said it before, and I will say it again – the music of Lost And Found In The Digital World has a real feel of Brilliant Trees era David Sylvian, with the aching synths and the haunting trumpet of Aleksei Saks adding a new flavour to the soundscapes. This new version is one of the most improved by Giancarlo’s new mix, especially with the solos at around the half-way mark. In the original, the trumpet and the lead solo are competing for space, whereas in the new mix, they complement each other perfectly.

“It’s time for letting go.”

Schoolyard Ghosts loses some of the intro section here, and the song that takes some of it’s cues from no-man’s Mixtaped is here as a definitive version of this well-travelled song. The end section has a flavour of the restrained power of David Bowie’s Blackstar.

“You and Jules down vodka shots
To hide the feelings that you’ve got.
You love her eyes, you love her mouth,
You love her put on Rock-chick pout.”

The final track of the album proper is here in an extended form. At The Centre Of It All is a behemoth of a composition, and at the time of release was my favourite track on the album back in 2011, and my opinion has simply solidified hearing this new version. The funereal pace is interrupted by jagged solos bursting out like spikes of pain to disturb you and make you feel the hurt in the lyrics.

In my original review, I said: Porcupine Tree’s Colin Edwin contributes double bass to the song, as Giancarlo’s restrained guitar bookends the deep synth lines, as the “Beautiful Songs You Should Know” sadly become “Just pointless lists at the centre of it all.”

One of the most emotional and hard-hitting pieces of music from the entire rich catalogue of songs from Bowness and Erra, At The Centre Of It All has never sounded better.

“All the things that were meant to be,
All the love you were meant to feel,
Became too hard to reveal.”

The album concludes with two bonus tracks. Recorded in 2020, Dreamless Days feels like a long-lost no-man track. A discordant, slowly evolving riff underpinned by bass and an accordion gives way to a Mono band / avant-rock sounding end section, as Tim’s vocal loops see the song out.

The final extra track is a 2020 recording of the Nosound / Bowness piece Someone Starts To Fade Away. The original version was the first Bowness / Erra recorded collaboration, from the 2008 album Lightdark. This new recording features a similar riff based backing as Dreamless Days, as the sharp kaleidoscopic pieces replace the piano of the original recording. I hear hints of Flat Earth era Thomas Dolby in some of the arrangements twists and turns. Someone Starts To Fade Away fits so well on this album, and I do hope that these 2020 sessions lead to a new album from Tim and Giancarlo.

I can see this Kscope re-imagining of Memories of Machines leading to the album being heard and treasured by a larger audience than the original. And if you already own this album, the new version is a massive upgrade on the already amazing original, so I would urge you to buy this definitive version too.

Memories Of Machines is available as a 2 disc (CD/DVD), 2LP and digital album.

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Tracklisting

New Memories Of Machines [01:25]
Before We Fall [05:10]
Beautiful Songs You Should Know [05:37]
Warm Winter [06:00]
Lucky You Lucky Me [04:26]
Change Me Once Again [05:46]
Something In Our Lives [04:08]
Lost And Found In The Digital World [05:25]
Schoolyard Ghosts [04:53]
At The Centre Of It All [09:49]
Dreamless Days (outtake) [04:31]
Someone Starts To Fade Away (2020 TBGE) (04:51)





Wolfgang Flür – Magazine 1 album review

26 01 2022

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Magazine 1 is a new electronic album from former Kraftwerk member Wolfgang Flür, in partnership with Peter Duggal and featuring guest appearances from Midge Ure (Ultravox), Peter Hook (New Order) and Claudia Brücken (Propaganda), plus contributions from contemporary artists MAPS, Juan Atkins, Carl Cox, U96, Anushka and Ramón Amezcu (AKA Bostich).

The 9 song album is a celebration of techno-pop, and will appeal to fans of electronic music, as well as Kraftwerk fans.

Deep bass synths and classic 80s drum machines propel opener Magazine.

Read all about it!”

The album has a consistent lyrical theme running throughout, with a commentary on the dis-jointed times we live in, the information we are force-fed, all delivered from a humanist stance, although not always from the viewpoint of humans!

Zukunftsmusi, the first of three U96 collaborations, is a power-house of electronic “Music of the Future”, with a compelling mixture of ice-cold synth lines, topped with rich percussion patterns. A synth motif that reminds me of Jeff Wayne’s War Of The Worlds as well as Close Encounters of the Third Kind breaks out of the mix around the half-way mark of Zukunftsmusik.

The second track featuring U96 is the anti-consumerism Best Buy, with a charmingly bonkers vocal performance and an up-tempo, naggingly addictive melody.

“Take-away, night and Day”

Das Beat features Midge Ure, with a warm tale of how music is universal (“beats in Moscow, beats in France”) and a few sounds that appear to lovingly reference Wolfgang’s former band. The chorus stays with you long after the song has finished, which is always enjoyable.

Birmingham features former New Order bassist Peter Hook and vocals from Ex-Propaganda singer Claudia Brücken, and is my favourite song on the album. I’ve loved Claudia’s work since A Secret Wish in 1985, and this is a perfect mix of the darkness of German electronic music, with a sprinkling of early New Order magic (that bass!). The contributions from Peter and Claudia are a potent and powerful blend, and it is worth buying the album for this track alone.

Night Drive draws from a more contemporary electronic palette, and the final U96 appearance (along with Carl Cox) is the charming tale of the life of a robot, Electric Sheep. There may be more to this robot than we initially think. Be afraid!

Detroit’s Juan Atkins joins Wolfgang on Billionaire (Symphony Of Might), a song of greed feeding environmental disaster (“The world needs more wealth, not more people”). Another strong chorus lets us know who has the power and control in this story. Isn’t that always the way?

Magazine 1 ends with the simple but powerful messaging of the anti-war Say No! The music perfectly underpins the lyrics, with slow build ups to the multiple anthemic choruses. This life-affirming song, with its nod to the music of the past along with a promise of a peaceful future, is an emotional climax from this powerful album.

“There’s only one thing to do, say no”

Wolfgang Flür – Magazine 1 is released via Cherry Red on 4 March 2022

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  1. Magazine [ft. Ramón Amezcua]
  2. Zukunftsmusik [ft. U96]
  3. Best Buy [ft. U96]
  4. Das Beat [ft. Midge Ure]
  5. Birmingham [ft. Claudia Brücken & Peter Hook]
  6. Night Drive [ft. Anushka]
  7. Electric Sheep [ft. Carl Cox & U96]
  8. Billionaire (Symphony Of Might) [ft. Juan Atkins]
  9. Say No! (ft. MAPS)

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Big Big Train – Welcome To The Planet track-by-track album review

13 01 2022

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Big Big Train release their new album Welcome To The Planet on their own label, English Electric Recordings on 28 January 2022. The new album comes shortly after their 2020 release, Common Ground, and was completed before the untimely passing of their vocalist David Longdon in November 2021.

David is one of my favourite vocalists, and as each album from Big Big Train is released, it has been a joy to listen to the band progressing, exploring new lyrical themes and musical landscapes. David’s rich vocals, along with his powerful and intelligent songwriting, will be missed by all fans of the band.

Welcome To The Planet is the second album recorded during the pandemic, and with the new line-up of the band.

After teasing us with a series of stand-alone streaming releases, the album was confirmed late last year. Big Big Train founder Gregory Spawton explained the short gap between albums: “The experience of the pandemic has shown us that we need to make the best use of our time on Earth. With that in mind and with new band members on board giving us a fresh head of steam, we decided on a speedy return to the studio to write and record Welcome To The Planet.”

The album opens with Made From Sunshine, a duet between David Longdon and Clare Lindley, the band’s violinist. An uplifting, optimistic take on new life and new beginnings bringing joy. It will bring a smile to your face, and acts as a perfect tonic for these troubled times we find ourselves living through.

“It’s clear to see, we’re on cloud nine.”

The Connection Plan is a Nick D’Virgilio song about connecting with others despite our differences. Driven by an insistent violin and a bass-line that cuts through from Greg Spawton, lovely mellotron lines feature to warm the hearts of the traditional prog-heads!

The vocal arrangement of the chorus is a real highlight of The Connection Plan.

“Kill the spotlight, power and might”

Two Greg Spawton composed tracks take their place in the album’s well-sequenced running order. Lanterna was inspired by the 16th Century Lanterna di Genova (the Lighthouse of Genoa).

Lanterna has a beautiful, slow-paced but intricate introduction section that highlights the warm timbre of David Longdon’s voice, before the tempo picks up and the band kicks in.

The riffs intertwine and fight for your attention, with some of the guitar lines reminding me of the work of Alan Murphy on Kate Bush’s Experiment IV single.

Capitoline Venus is a pared back recording featuring David on vocals / keyboards and Greg on 12-string guitar. A short, sweet and direct love song.

“I have seen enough. And found home”

A Room With No Ceiling is the first of two instrumental tracks on Welcome To The Planet. Written by guitarist/keyboardist Rikard Sjöblom, A Room With No Ceiling is a jazz-hued progressive piece that drips with delicious hammond organ and rhodes piano, topped off with accordion and military paced drums. The refrain at the end of this song is very moving.

Proper Jack Froster kicks off the second section of the album. The lyrics tell the tale of Greg Spawton’s early childhood in the Midland’s. The song is a nostalgic and personal track, with a powerful vocal interplay between David and Carly Bryant. Wurlitzer electric piano and sleigh bells feature on Proper Jack Froster, as it perfectly captures the spirit of a 70s winter snowscape.

“Flying down the hills
On a sledge with rusty rails
One last run then home”

The album’s second instrumental is the Nick D’Virgilio penned Bats In The Belfry. One of my favourite tracks on the album, the percussive heavy piece is the most powerful performance I have heard from D’Virgilio as a member of Big Big Train. The drum section after the mid-song breakdown is stunning, and makes you want to go back to the beginning of the track to hear it all over again. And again.

Oak And Stone is the longest song on Welcome To The Planet, weighing in at just over seven minutes, so no “epics” on this album, but this is not an issue as all the tracks are so strong and the album works so well as a complete body of work.

Oak And Stone looks back at a life lived. The warm, laid back drums from Nick and the strong vocal performance from David (with powerful harmony vocals from Nick and David) in the coda make this such an enjoyable track, that will probably be an early favourite for many fans.

“Time to put this thing to rest
Time to leave the empty stage”

The album closes with the title track, and the band have saved the best till last. Written by new keyboard player Carly Bryant, and featuring Carly and David on vocals, the amazing rich harmonies, along with the dystopian lyrics, deliver a haunting track that give me strong J. G. Ballard vibes.

The space in the arrangement, with the sparse lyrics, make this track stand-out in the Big Big Train catalogue, and is a perfect example of how new band members are always welcome to add their creativity and personality to the mix with this most collaborative of bands.

The biggest surprise with Welcome To The Planet is the wide variety of styles and moods that inhabit the album. Having the writing split amongst the band members – both established and new – gives Welcome To The Planet a sense of vibrancy and playfulness that makes it one of the best albums from the band.

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Part One
Made From Sunshine
The Connection Plan
Lanterna
Capitoline Venus
A Room With No Ceiling

Part Two
Proper Jack Froster
Bats In The Belfry
Oak And Stone
Welcome To The Planet





1979: Revolt Into Style: 76 Year Defining Tracks – 3 CD set review

30 12 2021

Cherry Red are continuing their review of the late 70s music scene, with the latest 3 CD set Revolt Into Style released on 21 January 2022 and concentrating on 1979, which just happens to be my favourite year in music.

The four hours of music contained in the 3 CD’s includes more obscure offerings sitting alongside some of the major new wave artists who were spewing out three minute classic singles that are on offer here, along with choice album cuts from The Stranglers, Madness, Tubeway Army, Ian Dury, Squeeze, XTC and more.

Disc One opens with the track that gives it’s name to the compilation. Former Be-Bop Deluxe front-man Bill Nelson, with the second single from his band Red Noise’s only studio album Sound-on-Sound. The single version of Magazine’s Rhythm Of Cruelty is included and is a perfect example of how there was a real pop sensibility seeping into the new wave and alternative music of 1979.

The Dr. Feelgood R&B / new wave of The Cannibals You Can’t is one of the less well-known songs on this compilation. The Only Ones are represented by the fine 7″ version of You Got To Pay, and another highlight on the first disc is a rarely heard gem by Scotland’s Fingerprintz, with the unbelievably catchy Night Nurse.

The Staircase (Mystery) is one of the finest early Siouxsie And The Banshees singles, and as a non-album track, is a welcome addition here. Replicas Me, I Disconnect From You by Tubeway Army signals the beginning of Gary Numan’s firm hold on the UK charts that would last for several years into the mid-80s, with Numan continuing to delight his audience right up to the present day.

The final X-Ray Spex single Highly Inflammable is a more synth infused pop song than their earlier four iconic single releases, and the first incarnation of the band split soon after this release in mid 1979. Victims Of The Riddle (Part 1) was the first single from Toyah and features on the wonderful Sheep Farming In Barnet deluxe edition that was released by Cherry Red in 2000.

Despite the mighty Reasons to be Cheerful, Part 3 being released in 1979, Cherry Red have included an album track for this compilation, choosing Sink My Boats from Do It Yourself. The inclusion of this fine track will hopefully turn more people on to this excellent album.

Disc Two opens with Up The Junction, one of Squeeze’s finest singles (and one of the bands greatest lyrics). The quality continues with one of The Clash’s lesser known tracks, Groovy Times from The Cost Of Living EP.

The Skids Masquerade was produced by Bill Nelson, and remains one of the band’s strongest singles, of which there were many!

Former Deaf School guitarist and 80s production heavyweight Clive Langer with his band The Boxes contribute The Whole World, that also features future Siouxsie And The Banshees / The Creatures drummer Budgie on bass (and of course, drums). An early Zoo Records recording of Read It In Books from Echo And The Bunnymen is another highlight of the second disc, as is the Gang Of Four’s At Home He’s A Tourist.

The Jags Back Of My Hand was a top 20 hit and was all over the airwaves in 1979. Bouncing Babies (Zoo version) from The Teardrop Explodes still sounds great (as does the whole of the band’s catalogue). Adam and the Ants Whip In My Valise was the b side to the Zerox single, and was recorded by the pre-Kings of the Wild Frontier line-up of the band. The next version of Adam and the Ants from 1980 onwards were one of the 80s biggest and most influential bands.

Birmingham band Fashion offer a John Foxx / Ultravox sounding single Citinite. A later line-up of the band released one of my favourite 80s albums in 1982, with Fabrique. The Undertones were another great late 70s singles band and Here Comes The Summer was one of their most memorable early hits.

The Pretenders second single Kid is a piece of pure-pop perfection from the original, classic line-up of the band led by one of the best new wave vocalists and songwriters, Chrissie Hynde. When You’re Young by The Jam was a non-album single, but was included on a later re-issue of Setting Sons and on compilations such as About The Young Idea: The Very Best Of The Jam.

The Ruts Something That I Said was a top 20 hit for the band, and was re-recorded for their album The Crack. A rare mis-step on the compilation is the inclusion of The Stranglers Don’t Bring Harry, not one of the bands finest moments, and the fact that any track on their 1979 album The Raven (Duchess, the title track or Baroque Bordello) would have represented the bands output from this year so much better.

The final disc in the compilation opens with one of XTC’s greatest singles, and their first big hit, Making Plans For Nigel, with a drum sound that would be so prevalent over the early years of the next decade.

Manchester band Passage contribute the wonderful stop / start Taking My Time single and one of Kirk Brandon’s early bands The Pack are represented with the Rough Trade single Number 12.

The Human League’s Empire State Human has always been one of my favourite tracks from the band, along with their near perfect take on You’ve Lost That Lovin’ Feelin’ from the same album as Empire State Human, Reproduction.

Work All Week by The Mekons has an intro similar to The Vapors Turning Japanese, whilst Public Image Ltd offer the single version of Memories, which, of course, is followed by punk pastiche band The Monks (featuring former Strawbs members Richard Hudson and John Ford) with Johnny B Rotten.

Chris Sievey (later known for the comic persona Frank Sidebottom) and his band The Freshies are represented by Children Of The World from the EP The Men from Banana Island Whos Stupid Ideas Never Caught On in the Western World as We Know It. Prisoners is the debut single from The Vapors and starts the journey for a band that are still releasing quality music today – check out their 2020 album Together that features a career highlight with Girl From The Factory.

Another rarely heard track is 7 Teen by The Regents, a top 20 hit late in 1979. The Boys (who also released Christmas songs as The Yobs!) supply the Chris Spedding (Motor Bikin’) meets Roxy Music influenced Kamikaze.

The Carpettes Easy Way Out was a Beggars Banquet single from late 1979, and still sounds powerful today. A raw, early Scritti Politti track Messthetics from the Work In Progress EP is rhythmically and musically challenging but does hint at the wonderful music that was to come in the next few years from Green Gartside’s band.

Spizzenergi’s classic Where’s Captain Kirk? is another highlights from this year. I’ve still got the 7″ single somewhere.

1979: Revolt Into Style is a great collection, and also does a good job of highlighting some of the less well-known alternative / new wave songs from 1979, whilst documenting the rapid move into the post-punk and electronic era of UK music.

Buy 1979: Revolt Into Style

Disc One

Bill Nelson’s Red Noise – Revolt Into Style
Eddie And The Hot Rods – Media Messiahs
Andy Arthurs – I Feel Flat
Magazine – Rhythm Of Cruelty (single version)
The Cannibals – You Can’t
John Cooper Clarke – ¡Gimmix! Play Loud
Dead Fingers Talk – The Boyfriend
The Only Ones – You Got To Pay
Glaxo Babies – Who Killed Bruce Lee?
Sham 69 – Questions And Answers (single version)
Fingerprintz – Night Nurse
Siouxsie And The Banshees – The Staircase (Mystery)
The Squares – Stop Being A Boy
The Fall – Rebellious Jukebox
Alternative TV – Graves Of Deluxe Green
Patrik Fitzgerald – All Sewn Up
Tubeway Army – Me, I Disconnect From You
The Outsiders – White Debt
The Members – Soho-A-Go-Go
Three Party Split – Dubious Parentage
X-Ray Spex – Highly Inflammable
Jonnie And The Lubes – I Got Rabies
Toyah – Victims Of The Riddle (Part 1)
Ian Dury And The Blockheads – Sink My Boats

Disc Two

Squeeze – Up The Junction
The Clash – Groovy Times
The Records – Girls That Don’t Exist
The Skids – Masquerade
Clive Langer And The Boxes – The Whole World
Echo And The Bunnymen – Read It In Books
The Faders – Library Book
Gang Of Four – At Home He’s A Tourist
Joy Division – Disorder
The Numbers – Alternative Suicide 11 The
The Jags – Back Of My Hand
The Teardrop Explodes – Bouncing Babies (Zoo version)
The Cravats – Burning Bridges
Adam And The Ants – Whip In My Valise
Fashion – Citinite
The Undertones – Here Comes The Summer
Cult Figures – Zip Nolan (extended mix)
Pretenders – Kid
The Quads – There Must Be Thousands
The Jam – When You’re Young
The Cheetahs – Radio-Active
The Ruts – Something That I Said
The Teenbeats – I Can’t Control Myself
The Stranglers – Don’t Bring Harry
The Barracudas – I Want My Woody Back

Disc Three

XTC – Making Plans For Nigel
The Revillos – Where’s The Boy For Me?
The Monochrome Set – The Monochrome Set (single version)
Passage – Taking My Time
Swell Maps – Real Shocks
The Zipps – Friends
Disco Zombies – Disco Zombies
The Pack – Number 12
The Human League – Empire State Human
The Wall – Kiss The Mirror
The Mekons – Work All Week
999 – Found Out Too Late
The Outcasts – Self Conscious Over You
Public Image Ltd – Memories (single version)
The Monks – Johnny B Rotten
The Freshies – Children Of The World
The Vapors – Prisoners
Madness – Bed And Breakfast Man
Secret Affair – Glory Boys
Dexy’s Midnight Runners – Dance Stance (demo)
The Regents – 7 Teen
The Lurkers – New Guitar In Town
The Boys – Kamikaze
The Carpettes – Easy Way Out
Scritti Politti – Messthetics
Spizzenergi – Where’s Captain Kirk?
Notsensibles – I’m In Love With Margaret Thatcher

Buy 1979: Revolt Into Style





News: NOW That’s What I Call Punk & New Wave CD & Vinyl Collection

3 12 2021

NOW That’s What I Call Punk & New Wave is a new compilation that features 89 tracks across 4 CDs, and also collects 34 tracks across 2 punk-tastic neon pink vinyl LP’s.

The CD offers a mouth-watering 88 tracks (plus the Toy Dolls!) and includes most of the eras heavy-hitters (The Stranglers, The Jam, Skids, The Police, Squeeze, Elvis Costello, The Cure, Siouxsie And The Banshees and Ramones) but delves deeper with slightly less well-known but equally as important songs from this golden era for singles.

I was impressed to see my favourite Generation X single King Rocker, plus a song I never tire of hearing in Milk And Alcohol from Dr. Feelgood. I was also pleased to see many songs from my favourite year for music, 1979.

Ultravox! feature with Rockwrok whilst Magazine’s Shot By Both Sides hints at the greatness to come from this seminal Manchester band. Mink DeVille deliver the Latin flavoured rock ‘n’ roll of Spanish Stroll, whilst New Zealand’s Split Enz serve up a fine slice of new wave pop with I Got You.

Midge Ure’s Rich Kids are a welcome addition along with one of my all-time favourite new wave singles in The Knack’s My Sharona.

Honourable mentions also go to Eddie & The Hot Rods with Do Anything You Wanna Do (featuring the best use of handclaps in a pop single), The Motors Airport (what, no Dancing The Night Away I hear you say?), the pop infused psychedelia of Reward from Liverpool’s The Teardrop Explodes and Blondie’s 60s beat influenced Denis. Has there ever been a more perfect pop single?

The vinyl version weighs in with a leaner 34 tracks, and for the most part sticks to the more well-known artists, but this just means you need to buy the vinyl for that authentic 70s listening experience and the CD version to wallow in this energetic late 70s time-capsule.

Buy NOW That’s What I Call Punk & New Wave CD from Burning Shed or Amazon

Buy NOW That’s What I Call Punk & New Wave neon-pink vinyl from Burning Shed or Amazon

TRACKLISTING

NOW That’s What I Call Punk & New Wave CD

CD 1

The Clash – London Calling
The Undertones – Teenage Kicks
Buzzcocks – Ever Fallen In Love (With Someone You Shouldn’t’ve)
The Stranglers – No More Heroes
Siouxsie And The Banshees – Hong Kong Garden
The Rezillos – Top Of The Pops
Ramones – Sheena Is A Punk Rocker
Iggy Pop – Lust For Life
Jonathan Richman & The Modern Lovers – Roadrunner
X-Ray Spex – Germ Free Adolescents
The Damned – Love Song
Skids – Into The Valley
XTC – Making Plans For Nigel
Squeeze – Cool For Cats
Tom Robinson Band – 2-4-6-8 Motorway
Elvis Costello – Watching The Detectives
Joe Jackson – Is She Really Going Out With Him?
Jags – Back Of My Hand
Secret Affair – Time For Action
The Motors – Airport
The Cars – My Best Friend’s Girl
Patti Smith – Because The Night

CD 2

The Jam – Going Underground
The Police – Can’t Stand Losing You
The Boomtown Rats – Rat Trap
Blondie – Hanging On The Telephone
Pretenders – Brass In Pocket
Dexys Midnight Runners – Geno
Ian Dury & The Blockheads – Hit Me With Your Rhythm Stick
Lene Lovich – Lucky Number
Toyah – Ieya
Adam & The Ants – Dog Eat Dog
Bow Wow Wow – Go Wild In The Country
Hazel O’Connor – Eighth Day
Tenpole Tudor – Swords Of A Thousand Men
Generation X – King Rocker
Dr. Feelgood – Milk And Alcohol
The Barracudas – Summer Fun
The Piranhas – Tom Hark
Sham 69 – If The Kids Are United
The Vibrators – Automatic Lover
Department S – Is Vic There?
The Only Ones – Another Girl, Another Planet
Mink DeVille – Spanish Stroll
Yellow Dog – Just One More Night

CD 3

The B-52’s – Rock Lobster
Devo – Whip It
The Flying Lizards – Money
Martha And The Muffins – Echo Beach
The Cure – A Forest
Joy Division – Love Will Tear Us Apart
Joe Jackson – It’s Different For Girls
The Regents – 7 Teen
Squeeze – Up The Junction
The Tourists – I Only Want To Be With You
Split Enz – I Got You
The Psychedelic Furs – Pretty In Pink
Simple Minds – Love Song
Ultravox! – Rockwrok
Marianne Faithfull – Broken English
Grace Jones – Private Life
The Slits – I Heard It Through The Grapevine
Ian Dury & The Blockheads – What A Waste
Rich Kids – Rich Kids
Sham 69 – Angels With Dirty Faces
The Dickies – Banana Splits
Jilted John – Jilted John

CD 4

U2 – I Will Follow
The Members – Sound Of The Suburbs
The Ruts – Babylon’s Burning
The Boomtown Rats – She’s So Modern
X-Ray Spex – Identity
Siouxsie And The Banshees – Christine
The Jam – Down In The Tube Station At Midnight
Ramones – Baby, I Love You
Blondie – Denis
Pretenders – Kid
The Stranglers – Duchess
The Teardrop Explodes – Reward
Adam & The Ants – Kings Of The Wild Frontier
Bow Wow Wow – C30 C60 C90 Go
Public Image Limited – Public Image
Magazine – Shot By Both Sides
The Runaways – Cherry Bomb
The Knack – My Sharona
Eddie & The Hot Rods – Do Anything You Wanna Do
Skids – Working For The Yankee Dollar
The Vapors – Turning Japanese
Toy Dolls – Nellie The Elephant

NOW That’s What I Call Punk & New Wave Vinyl

Disc A
The Clash – London Calling
The Undertones – Teenage Kicks
The Stranglers – No More Heroes
Siouxsie And The Banshees – Hong Kong Garden
The Rezillos – Top Of The Pops
Ramones – Sheena Is A Punk Rocker
The Members – Sound Of The Suburbs
The Ruts – Babylon’s Burning
Iggy Pop – Lust For Life

Disc B
The Jam – Going Underground
The Police – Can’t Stand Losing You
The Boomtown Rats – Rat Trap
Blondie – Hanging On The Telephone
Pretenders – Brass In Pocket
X-Ray Spex – Germ Free Adolescents
Jonathan Richman & The Modern Lovers – Roadrunner
The Runaways – Cherry Bomb
Jilted John – Jilted John

Disc C
The B-52’s – Rock Lobster
Devo – Whip It
The Flying Lizards – Money
Squeeze – Cool For Cats
XTC – Making Plans For Nigel
Tom Robinson Band – 2-4-6-8 Motorway
Joe Jackson – Is She Really Going Out With Him?
Patti Smith – Because The Night

Disc D
U2 – I Will Follow
Skids – Into The Valley
Adam & The Ants – Dog Eat Dog
Dexys Midnight Runners – Geno
Ian Dury & The Blockheads – Hit Me With Your Rhythm Stick
Martha And The Muffins – Echo Beach
The Cure – A Forest
Joy Division – Love Will Tear Us Apart





News: David Bowie – TOY:BOX (previously unreleased Toy album Box-Set)

29 09 2021

TOY:BOX is a special edition of the unreleased David Bowie TOY album available as a 3CD boxset, and is due to be released on 7th January 2022. The sleeve artwork was designed by Bowie featuring a photo of him as a baby with a contemporary face. The package also contains a 16-page full-colour book featuring previously unseen photographs.

TOY was recorded following his Glastonbury 2000 performance. Bowie entered the studio with his band to record new interpretations of songs he had first recorded in the period 1964-1971.

Also included in TOY:BOX is a second CD of alternative mixes and versions including proposed B-Sides (versions of David’s debut single ‘Liza Jane’ and 1967’s ‘In The Heat Of The Morning’), later mixes by Tony Visconti and the ‘Tibet Version’ of ‘Silly Boy Blue’ recorded at The Looking Glass Studio time at the of the 2001 Tibet House show in New York featuring Philip Glass on piano and Moby on guitar.

The third CD features ‘Unplugged & Somewhat Slightly Electric’ mixes of thirteen TOY tracks.

Pre-order the Toy (Toy:Box) CD box-set

CD1

TOY

I Dig Everything
You’ve Got A Habit Of Leaving
The London Boys
Karma Man
Conversation Piece
Shadow Man
Let Me Sleep Beside You
Hole In The Ground
Baby Loves That Way
Can’t Help Thinking About Me
Silly Boy Blue
Toy (Your Turn To Drive)

Produced by David Bowie & Mark Plati
Engineered by Pete Keppler
Mixed by Mark Plati Assisted by Hector Castillo, Steve Mazur, and Todd Parker
Recorded at Sear Sound, The Looking Glass & Alice’s Restaurant in New York City, Summer 2000

CD 2

TOY- Alternatives & Extras

Liza Jane
You’ve Got A Habit of Leaving (alternative mix) *
Baby Loves That Way (alternative mix) *
Can’t Help Thinking About Me (alternative mix)
I Dig Everything (alternative mix)
The London Boys (alternative version)
Silly Boy Blue (Tibet version)
Let Me Sleep Beside You (alternative mix) *
In The Heat Of The Morning
Conversation Piece (alternative mix) *
Hole In The Ground (alternative mix)
Shadow Man (alternative mix) *
Toy (Your Turn To Drive) (alternative mix) *

Produced by David Bowie & Mark Plati except ‘The London Boys’ additional production by Tony Visconti
‘Silly Boy Blue’ (Tibet version) Produced by David Bowie & Tony Visconti
Engineered by Pete Keppler at Sear Sound, assisted by Todd Parker
Engineered by Mark Plati at Alice’s Restaurant
Recorded at Sear Sound, The Looking Glass & Alice’s Restaurant in New York City, Summer 2000
Except ‘Silly Boy Blue’ (Tibet version) recorded at The Looking Glass, 2001
Mixed by Tony Visconti, assisted by Darren S. Moore at the Manhattan Center, early 2001
Except ‘Liza Jane’ & ‘In The Heat Of The Morning’ mixed by Mark Plati, assisted by Hector Castillo at The Looking Glass.
*Previously released

CD 3

TOY – Unplugged & Somewhat Slightly Electric

In The Heat Of The Morning (Unplugged & somewhat slightly electric mix)
I Dig Everything (Unplugged & somewhat slightly electric mix)
You’ve Got A Habit of Leaving (Unplugged & somewhat slightly electric mix)
The London Boys (Unplugged & somewhat slightly electric mix)
Karma Man (Unplugged & somewhat slightly electric mix)
Conversation Piece (Unplugged & somewhat slightly electric mix)
Shadow Man (Unplugged & somewhat slightly electric mix)
Let Me Sleep Beside You (Unplugged & somewhat slightly electric mix)
Hole In The Ground (Unplugged & somewhat slightly electric mix)
Baby Loves That Way (Unplugged & somewhat slightly electric mix)
Can’t Help Thinking About Me (Unplugged & somewhat slightly electric mix)
Silly Boy Blue (Unplugged & somewhat slightly electric mix)
Toy (Your Turn To Drive) (Unplugged & somewhat slightly electric mix)

Produced by David Bowie & Mark Plati
Engineered by Pete Keppler
Mixed by Mark Plati, assisted by Hector Castillo, Steve Mazur & Todd Parker
Recorded at Sear Sound, The Looking Glass & Alice’s Restaurant in New York City, Summer 2000
All songs written by David Bowie except ‘Liza Jane’ written by Leslie Conn.

TOY MUSICIANS:

David Bowie: lead & backing vocals, Korg Triton
Sterling Campbell: drums, claps
Gail Ann Dorsey: bass, clarinet, backing vocals
Mike Garson: piano, organ, synth, Fender Rhodes
Emm Gryner: backing vocals, clarinet
Holly Palmer: backing vocals, percussion
Mark Plati: acoustic & electric guitars, bass, Mellotron, backing vocals
Earl Slick: acoustic & electric guitars

Augmented by the following musicians on certain recordings:

Tony Visconti: bass, string arrangements
Lisa Germano: violin, accordion, mandolin, recorder, backing vocals
Gerry Leonard: electric guitar
Cuong Vu: trumpet
Strings – The Scorchio Quartet
Moby – electric guitar
Philip Glass – piano

Pre-order the Toy (Toy:Box) CD box-set


Find out about the David Bowie – Brilliant Adventure (1992-2001) CD & Vinyl box-sets






News: David Bowie – Brilliant Adventure (1992-2001) CD & vinyl box-sets

29 09 2021

The 5th David Bowie box-set, Brilliant Adventure (1992-2001), has been announced. Released on 26th November 2021 Brilliant Adventure (1992-2001) is an eleven CD box, eighteen-piece vinyl set and standard digital download box set. The collection is named after the Koto led instrumental penultimate track from the ‘hours…’ album. The box sets include newly remastered versions, with input from the original producers and collaborators.

The box-set brings together remastered versions of the following albums:

Black Tie White Noise / The Buddha Of Suburbia / 1.Outside / Earthling / ‘hours…’ / BBC Radio Theatre, London, June 27, 2000 / the previously unreleased Toy / Re:Call 5 (non-album singles, edits, single versions, b-sides and soundtrack music).

Also available in early January is a separate, expanded version of the Toy album.

Buy the Brilliant Adventure (1992 – 2001) vinyl box-set

Buy the Brilliant Adventure (1992 – 2001) CD box-set


Brilliant Adventure (1992 – 2001) CD Box-Set contents:

Brilliant Adventure (1992 – 2001) CD box-set pre-order

128 Page hardback book
Black Tie White Noise (remastered) (1CD)
The Buddha Of Suburbia (remastered) (1CD)
1.Outside (remastered) (1CD)
Earthling (remastered) (1CD)
‘hours…’ (remastered) (1CD)
BBC Radio Theatre, London, June 27th, 2000 (remastered and expanded 20 track version) (2CD)*
Toy (previously unreleased) (1CD)
Re:Call 5 (non-album singles, edits, single versions, b-sides and soundtrack music) (remastered) (3CD)*

*Exclusive to BRILLIANT ADVENTURE CD box

CD Tracklistings

BLACK TIE WHITE NOISE

The Wedding
You’ve Been Around
I Feel Free
Black Tie White Noise (featuring Al B. Sure!)
Jump They Say
Nite Flights
Pallas Athena
Miracle Goodnight
Don’t Let Me Down & Down
Looking for Lester
I Know It’s Gonna Happen Someday
The Wedding Song

THE BUDDHA OF SUBURBIA

Buddha of Suburbia
Sex and the Church
South Horizon
The Mysteries
Bleed Like a Craze, Dad
Strangers When We Meet
Dead Against It
Untitled No. 1
Ian Fish, U.K. Heir
Buddha of Suburbia (featuring Lenny Kravitz on guitar)

1.OUTSIDE

Leon Takes Us Outside
Outside
The Hearts Filthy Lesson
A Small Plot of Land
Baby Grace (A Horrid Cassette)” (segue)
Hallo Spaceboy
The Motel
I Have Not Been to Oxford Town
No Control
Algeria Touchshriek (segue)
The Voyeur of Utter Destruction (as Beauty)
Ramona A. Stone/I Am with Name (segue)
Wishful Beginnings
We Prick You
Nathan Adler (segue)
I’m Deranged
Thru’ These Architects Eyes
Nathan Adler (segue)
Strangers When We Meet

EARTHLING

Little Wonder
Looking for Satellites
Battle for Britain (The Letter)
Seven Years in Tibet
Dead Man Walking
Telling Lies
The Last Thing You Should Do
I’m Afraid of Americans
Law (Earthlings on Fire)

‘hours…’

Thursday’s Child
Something in the Air
Survive
If I’m Dreaming My Life
Seven
What’s Really Happening?
The Pretty Things Are Going to Hell
New Angels of Promise
Brilliant Adventure
The Dreamers

BBC RADIO THEATRE, LONDON, JUNE 27, 2000 2xCD

CD1

Wild Is the Wind
Ashes to Ashes
Seven
This Is Not America
Absolute Beginners
Always Crashing in the Same Car
Survive
The London Boys
I Dig Everything
Little Wonder

CD2

The Man Who Sold the World
Fame
Stay
Hallo Spaceboy
Cracked Actor
I’m Afraid of Americans
All the Young Dudes
Starman
“Heroes”
Let’s Dance

TOY

I Dig Everything
You’ve Got A Habit Of Leaving
The London Boys
Karma Man
Conversation Piece
Shadow Man
Let Me Sleep Beside You
Hole In The Ground
Baby Loves That Way
Can’t Help Thinking About Me
Silly Boy Blue
Toy (Your Turn To Drive)

RE:CALL 5 3xCD

CD1

Real Cool World (Sounds From The Cool World Soundtrack Version)
Jump They Say (7” version)
Lucy Can’t Dance
Black Tie White Noise (feat Al B. Sure!) (Radio Edit)
Don’t Let Me Down & Down (Indonesian Vocal Version)
Buddha Of Suburbia (Single Version) (featuring Lenny Kravitz on guitar)
The Hearts Filthy Lesson (Radio Edit)
Nothing To Be Desired
Strangers When We Meet (edit)
Get Real
The Man Who Sold The World (Live Eno Mix)
I’m Afraid Of Americans (Showgirls Soundtrack Version)
Hallo Spaceboy (Remix)
I Am With Name (Alternative Version)
A Small Plot Of Land (Long Basquiat Soundtrack Version)

CD2

Little Wonder (Edit)
A Fleeting Moment (aka Severn Years In Tibet – Mandarin Version)
Dead Man Walking (Edit)
Seven Years In Tibet (Edit)
Planet Of Dreams – David Bowie and Gail Ann Dorsey
I’m Afraid Of Americans (V1 – Edit)
I Can’t Read (The Ice Storm Long Version)
A Foggy Day In London Town – David Bowie and Angelo Badalamenti
Fun (BowieNet Mix)
The Pretty Things Are Going To Hell (Stigmata Soundtrack Version)
Thursday’s Child (Radio Edit)
We All Go Through
No One Calls

CD3

We Shall Go To Town
1917
The Pretty Things Are Going To Hell (Edit)
Thursday’s Child (Omikron: The Nomad Soul Version)
New Angels Of Promise (Omikron: The Nomad Soul Version)
The Dreamers (Omikron: The Nomad Soul Version)
Seven (Demo)
Survive (Marius De Vries mix)
Something In The Air (American Psycho Remix)
Seven (Marius De Vries Mix)
Pictures Of Lily


Brilliant Adventure (1992 – 2001) Vinyl Box-Set contents:

Brilliant Adventure (1992 – 2001) vinyl box-set per-order

84 Page hardback book

Black Tie White Noise (remastered) (2LP)
The Buddha Of Suburbia (a very limited release on vinyl previously, remastered) (2LP)
1.Outside (remastered) (2LP)
Earthling (remastered) (3 sided – 2LP)
‘hours…’ (remastered) (1LP)
BBC Radio Theatre, London, June 27, 2000 (remastered and expanded 20 track version, previously unreleased on vinyl) (3LP)*
Toy (previously unreleased) (3 sided – 2LP)
Re:Call 5 (non-album singles, edits, single versions, b-sides and soundtrack music) (remastered) (4LP)

*Exclusive to BRILLIANT ADVENTURE LP box

LP Tracklistings

BLACK TIE WHITE NOISE 2xLP

Side 1

The Wedding
You’ve Been Around
I Feel Free

Side 2

Black Tie White Noise (featuring Al B. Sure!)
Jump They Say
Nite Flights

Side 3

Pallas Athena
Miracle Goodnight
Don’t Let Me Down & Down

Side 4

Looking for Lester
I Know It’s Gonna Happen Someday
The Wedding Song

THE BUDDHA OF SUBURBIA 2xLP

Side 1

Buddha of Suburbia
Sex and the Church
South Horizon

Side 2

The Mysteries
Bleed Like a Craze, Dad

Side 3

Strangers When We Meet
Dead Against It
Untitled No. 1

Side 4

Ian Fish, U.K. Heir
Buddha of Suburbia (featuring Lenny Kravitz on guitar)

1.OUTSIDE 2xLP

Side 1

Leon Takes Us Outside
Outside
The Hearts Filthy Lesson
A Small Plot of Land

Side 2

Baby Grace (A Horrid Cassette)” (segue)
Hallo Spaceboy
The Motel
I Have Not Been to Oxford Town

Side 3

No Control
Algeria Touchshriek (segue)
The Voyeur of Utter Destruction (as Beauty)
Ramona A. Stone/I Am with Name (segue)
Wishful Beginnings

Side 4

We Prick You
Nathan Adler (segue)
I’m Deranged
Thru’ These Architects Eyes
Nathan Adler (segue)
Strangers When We Meet

EARTHLING 2xLP

Side 1

Little Wonder
Looking for Satellites
Battle for Britain (The Letter)

Side 2

Seven Years in Tibet
Dead Man Walking
Telling Lies

Side 3

The Last Thing You Should Do
I’m Afraid of Americans
Law (Earthlings on Fire)

Side 4 – etching

hours…’

Side 1

Thursday’s Child
Something in the Air
Survive
If I’m Dreaming My Life

Side 2

Seven
What’s Really Happening?
The Pretty Things Are Going to Hell
New Angels of Promise
Brilliant Adventure
The Dreamers

BBC RADIO THEATRE, LONDON, JUNE 27, 2000 3xLP

Side 1

Wild Is the Wind
Ashes to Ashes
Seven

Side 2

This Is Not America
Absolute Beginners
Always Crashing in the Same Car

Side 3

Survive
The London Boys
I Dig Everything
Little Wonder

Side 4

The Man Who Sold the World
Fame
Stay

Side 5

Hallo Spaceboy
Cracked Actor
I’m Afraid of Americans
All the Young Dudes

Side 6

Starman
“Heroes”
Let’s Dance

TOY 2 x LP

Side 1

I Dig Everything
You’ve Got A Habit Of Leaving
The London Boys
Karma Man

Side 2

Conversation Piece
Shadow Man
Let Me Sleep Beside You
Hole In The Ground

Side 3

Baby Loves That Way
Can’t Help Thinking About Me
Silly Boy Blue
Toy (Your Turn To Drive)

Side 4 – Etching

RE:CALL 5 4xLP

Side 1

Real Cool World (Sounds From The Cool World Soundtrack Version)
Jump They Say (7” version)
Lucy Can’t Dance
Black Tie White Noise (Radio Edit) (featuring Al B. Sure!)

Side 2

Don’t Let Me Down & Down (Indonesian Vocal Version)
Buddha Of Suburbia (Single Version) (featuring Lenny Kravitz on guitar)
The Hearts Filthy Lesson (Radio Edit)
Nothing To Be Desired
Strangers When We Meet (edit)

Get Real

Side 3

The Man Who Sold The World (Live Eno Mix)
I’m Afraid Of Americans (Showgirls Soundtrack Version)
Hallo Spaceboy (Remix)
I Am With Name (Alternative Version)
A Small Plot Of Land (Long Basquiat Soundtrack Version)

Side 4

Little Wonder (Edit)
A Fleeting Moment (aka Severn Years In Tibet – Mandarin Version)
Dead Man Walking (Edit)
Seven Years In Tibet (Edit)
Planet Of Dreams – David Bowie and Gail Ann Dorsey

Side 5

I’m Afraid Of Americans (V1 – Edit)
I Can’t Read (The Ice Storm Long Version)
A Foggy Day In London Town – David Bowie and Angelo Badalamenti
Fun (Bowienet Mix)
The Pretty Things Are Going To Hell (Stigmata Soundtrack Version)

Side 6

Thursday’s Child (Radio Edit)
We All Go Through
No One Calls
We Shall Go To Town

1917

Side 7

The Pretty Things Are Going To Hell (Edit)
Thursday’s Child (Omikron: The Nomad Soul Version)
New Angels Of Promise (Omikron: The Nomad Soul Version)
The Dreamers (Omikron: The Nomad Soul Version)
Seven (Demo)

Side 8

Survive (Marius De Vries mix)
Something In The Air (American Psycho Remix)
Seven (Marius De Vries Mix)
Pictures Of Lily


Buy the Brilliant Adventure (1992 – 2001) vinyl box-set

Buy the Brilliant Adventure (1992 – 2001) CD box-set





The Legendary 1979 No Nukes Concerts by Bruce Springsteen and the E Street Band (vinyl, CD & Blu-ray)

23 09 2021

The Legendary 1979 No Nukes Concerts from Bruce Springsteen and the E Street Band were performed at the September 1979 MUSE (Musicians United for Safe Energy) benefit concerts held at Madison Square Garden in New York City. A recording from these shows is being released on CD, vinyl and blu-ray in November 2021.

The 2 CD set features 13 songs performed over two nights, that are newly remixed and remastered, along with a blu-ray of the 13 song concert performance film, newly edited from original film footage, restored and remixed in HD. This package includes a 24-page book with rare photos and memorabilia, an essay, vintage ticket envelope, ticket reproduction and sticker.

The vinyl version is a 2 LP set featuring 13 songs performed over the two nights, that are newly remixed and remastered. The gatefold package includes a 24-page book with rare photos and memorabilia, an essay and a 33” x 19” poster.

Available now:

Bruce Springsteen and the E Street Band – The Legendary 1979 No Nukes Concerts – Double vinyl

Bruce Springsteen and the E Street Band – The Legendary 1979 No Nukes Concerts – 2 CD / Bluray





Al Stewart – Time Passages reissue review

2 09 2021

Cherry Red Records are releasing a deluxe 4 disc boxed set of Al Stewart’s 1978 album, Time Passages. A 2-CD version (without the extra live disc / 5.1 DVD) is also available.

The album has been newly remastered from the original first generation master tapes by Alan Parsons, and features bonus tracks, including single versions, demos and live tracks.

Disc four is a high resolution 96 Khz / 24-Bit 5.1 Alan Parsons surround sound mix, from the original multi-track tapes and the comprehensive booklet includes an exclusive interview with Al Stewart.

I (slightly) prefer Time Passages to it’s predecessor, the still wonderful Year Of The Cat. It captures that late 70s pop / rock feel so well.

The title track features some fine guitar work from Tim Renwick and the drums on the album are provided by Stuart Elliott (Kate Bush / Paul McCartney), with an appearance from the legendary Jeff Porcaro on the second track, Valentina Way.

Time Passages was recorded in Los Angeles, and the sound of the city seeps through on many of the tracks. The Palace of Versailles is an exception to this – with a European feel befitting the subject matter. Almost Lucy is driven by a fabulous percussion arrangement and contains one of the album’s most affecting vocal performances.

The acoustic flavoured Timeless Skies could have sat comfortably on one of America’s earlier albums. The second single from the album, Song on the Radio, has a delicious chorus, accompanied by a very much of it’s time sax solo. End of the Day is a gentle, jazzy end to the album. Disc one is complete with the up-tempo bonus track, Tonton Macoute, one of those songs where once you’ve heard it, it sticks in you brain for hours.

Disc two collects together single mixes, demos and live tracks. The demos are decent quality. Life In A Bottle reminds me a little of John Lennon in it’s arrangement. It’s a shame that a studio version of this song was not included on the main album. The Palace of Versailles demo is largely intact, but obviously lacking the final technicolour magic that would be applied by Alan Parsons.

The Hollywood Sign (on St. Stephen’s Day) aka TimeLess Skies finishes off the demo cuts (that also include an early demo of Tonton Macoute)

The remainder of disc two and the whole of disc 3 is made up of a good quality recording of Stewart’s show in Chicago from late October 1978. Al Stewart being a storyteller pays dividends in a live setting, with lots of gentle between song chat and background info for some of the tracks. Time Passages, The Palace of Versailles, a 10 minute Year of the Cat and The Pink Panther Theme (as a way of introducing the band) are my favourite live cuts in this collection.

Disc 4 (not supplied for review) contains the new high resolution 96 Khz / 24-Bit 5.1 surround sound mix & original re-mastered stereo mix By Alan Parsons. This is the definitive version of a classic late seventies album, that still hits the spot if you love music from this era.

Buy Al Stewart Time Passages (3CD/1DVD Limited Edition Box Set)
Buy Al Stewart Time Passages (2CD Expanded Edition) – remastered album + single mixes, 4 demos & 6 live tracks





Aztec Camera – Backwards and Forwards: The WEA Recordings (1984-1995) boxset review

27 07 2021

Cherry Red Records are releasing Backwards and Forwards: The WEA Recordings (1984-1995) a 9 CD Aztec Camera boxset on 27 August 2021.

The set includes the following studio albums: Knife (1984), Love (1987), Stray (1990), Dreamland (1993) and Frestonia (1995) plus In Concert 1984, Remixes, B-Sides And Live 1986-1988, Remixes, Rarities And Live 1990 and Live At Ronnie Scott’s.

The box set opens with Aztec Camera’s second album, 1984’s Knife, that was produced by Dire Straits Mark Knopfler. The Back Door To Heaven and the title track are my favourites from the album. This version also includes two versions of the Van Halen cover, Jump, that has picked up popularity as the years have passed since its initial release.

The second disc is In Concert, 1984, that includes songs from the band’s debut album, including Walk Out To Winter (two versions), We Could Send Letters and Oblivious.

The Love album from 1987 saw Roddy Frame expanding the band’s sound, working with legendary musicians such as bassist Marcus Miller and Steely Dan drummer Steve Gadd, and including production credits for David Frank (electro band The System) and Michael Jonzun of The Jonzun Crew. Love has a smooth sound that really fits the time of release. Deep & Wide & Tall has some sweet synth and vocal lines, and an 80s staple, timbale breaks! How Men Are is a classic Roddy Frame ballad, but the album will likely be remembered for the singles Somewhere In My Heart and Working in a Goldmine.

Disc Four contains Remixes, B-Sides And Live 1986-1988, that opens with three versions of Somewhere In My Heart, including a 7 minute 12″ remix. Other highlights include a silky version of Working in a Goldmine, recorded live at Pinewood Studios, and a glorious stripped down version of How Men Are from the ITV show that kept me from sleep way into the small hours over the weekend in the late 80s, Night Network.

1990’s Stray is probably the most eclectic Aztec Camera album. Stray still sounds delicious as do the Big Audio Dynamite / The Clash influenced Get Outta London and Good Morning Britain (that features Mick Jones). A bonus on this reissue is a cover of Cyndi Lauper’s True Colors, that is a warm homage to the original.

“Make a promise, break a promise in the same day”

Disc Six is for the completists only, and a disc I will not play again in all likelihood, made up of seven versions of Good Morning Britain and a couple of other tracks from the era.

Live At Ronnie Scott’s works well as it is the majority of the concert at the legendary London Jazz Club from 1991 and is just Roddy Frame and Gary Sanctuary (piano and saxophone), so there is a real continuity in the performances. Spanish Horses and How Men Are work particularly well in this stripped back format.

The final two discs are the final two Aztec Camera studio albums. Dreamland is my favourite Aztec Camera album, and was produced by Ryuichi Sakamoto and Roddy Frame, with mixing duties delivered by Julian Mendelsohn. The Sakamoto influence in the sound is a welcome addition, and the album is worth investigating just for the track Black Lucia, one of Frame’s finest songs.

Spanish Horses is a masterclass and evokes the sound of early America (A Horse With No Name / Ventura Highway) but with a Catalonian twist. The production is widescreen, with lots of space and free from the shackles of the late 80s production. Pianos And Clocks also benefits from the Ryuichi effect, with an interesting keyboard run underpinning the song.

Vertigo is a fine pop song, with a playful arrangement that lifts the song to another level.

“Man, I’m going back
To where I’m captured and caressed
And life’s undressed and left where living belongs”

The Belle Of The Ball is a more traditional arrangement and performance to close the original album running order.

Aztec Camera’s final studio album Frestonia was released in 1995, with a powerful and warm production from Clive Langer and Alan Winstanley. ZTT / ABC percussionist Luís Jardim makes several key contributions to the album, which has more of a full band sound than previous Aztec Camera albums, particularly on the opening track Rainy Season.

On The Avenue has a touch of the magic that constitutes a classic Paul McCartney song in it’s DNA and Imperfectly has a wonderful drum intro and moving organ lines throughout.

Backwards and Forwards: The WEA Recordings (1984-1995) is a great way to collect the majority of the albums from Aztec Camera, but you are still going to have to buy High Land, Hard Rain to complete the collection, trust me!

Buy Backwards and Forwards: The WEA Recordings (1984-1995) from Amazon

Disc One: Knife

  1. Still On Fire
  2. Just Like The USAhttps://amzn.to/3i9Ci3P
  3. Head Is Happy (Heart’s Insane)
  4. The Back Door To Heaven
  5. All I Need Is Everything
  6. Backwards And Forwards
  7. The Birth Of The True Knife
    Bonus Tracks
  8. All I Need Is Everything (7ʺ Edit)
  9. Jump
  10. All I Need Is Everything (Latin Mix)
  11. Jump (Loaded Version)

Disc Two: In Concert, 1984

  1. Walk Out To Winter (Live In Glasgow)
  2. The Bugle Sounds Again (Live In Glasgow)
  3. We Could Send Letters (Live In Glasgow)
  4. Backwards And Forwards (Live In Glasgow)
  5. Oblivious (Live In Glasgow)
  6. All I Need Is Everything (Live In Glasgow)
  7. The Boy Wonders (Live In Glasgow)
  8. Mattress Of Wire (Live In London)
  9. The Bugle Sounds Again (Live In London)
  10. The Birth Of The True (Live In London)
  11. Backwards And Forwards (Live In London)
  12. Walk Out To Winter (Live In London)

Disc Three: Love

  1. Deep & Wide & Tall
  2. How Men Are
  3. Everybody Is A Number One
  4. More Than A Law
  5. Somewhere In My Heart
  6. Working In A Goldmine
  7. One And One
  8. Paradise
  9. Killermont Street
    Bonus Tracks
  10. Bad Education
  11. The Red Flag

Disc Four: Remixes, B-Sides And Live 1986-1988

  1. Somewhere In My Heart (12ʺ Remix)
  2. Somewhere In My Heart (Eric Calvi Remix)
  3. Somewhere In My Heart (The Alternate Mix)
  4. Deep & Wide & Tall (Breakdown Mix)
  5. Deep & Wide & Tall (LP Edit)
  6. Everybody Is A Number One (Boston ’86 Version)
  7. Working In A Goldmine (Sax Version)
  8. Working In A Goldmine (Live at Pinewood)
  9. Somewhere In My Heart (Live at Pinewood)
  10. Killermont Street (Live In LA)
  11. Pillar To Post (Live In LA) 12 How Men Are (Night Network Live)
  12. Down The Dip (Live In Glasgow)
  13. Jump (Live In Glasgow)
  14. I Threw It All Away (Live In Bristol)
  15. Interview

Disc Five: Stray

  1. Stray
  2. The Crying Scene
  3. Get Outta London
  4. Over My Head
  5. Good Morning Britain
  6. How It Is
  7. The Gentle Kind
  8. Notting Hill Blues
  9. Song For A Friend
    Bonus Tracks
  10. Salvation
  11. True Colours

Disc Six: Remixes, Rarities And Live 1990

  1. Do I Love You?
  2. Good Morning Britain (7ʺ Mix)
  3. Good Morning Britain (Laylow Posse Hypno- Mix/Kitsch ‘N’ Sync Mix)
  4. Good Morning Britain (Laylow Posse Hypnomental/ Instrumental Mix)
  5. Good Morning Britain (Laylow Posse Hypno- Edit/Vocal Remix)
  6. Good Morning Britain (Mendelsohn Single Mix)
  7. Good Morning Britain (Morning Acid Mix)
  8. Consolation Prize (Live At Glasgow Barrowlands, August 4th, 1990)
  9. Good Morning Britain (Live At Glasgow Barrowlands, August 4th, 1990)

Disc Seven: Live At Ronnie Scott’s

  1. Birth Of The True
  2. Song For A Friend
  3. Killermont Street
  4. Spanish Horses
  5. Stray
  6. The Bugle Sounds Again
  7. Dolphins
  8. How Men Are
  9. Sister Ann
  10. Good Morning Britain
  11. Mattress Of Wire
  12. Let Your Love Decide
  13. Orchid Girl

Disc Eight: Dreamland

  1. Birds
  2. Safe In Sorrow
  3. Black Lucia
  4. Let Your Love Decide
  5. Spanish Horses
  6. Dream Sweet Dreams
  7. Pianos And Clocks
  8. Sister Ann
  9. Vertigo
  10. Valium Summer
  11. The Belle Of The Ball
    Bonus Tracks
  12. (If Paradise Is) Half As Nice
  13. Just Like The USA (Live in Barcelona)
  14. Let Your Love Decide (Edit)

Disc Nine: Frestonia

  1. Rainy Season
  2. Sun
  3. Crazy
  4. On The Avenue
  5. Imperfectly
  6. Debutante
  7. Beautiful Girl
  8. Phenomenal World
  9. Method Of Love
  10. Sunset
    Bonus Tracks
  11. The Crying Scene (Live At The Phoenix Festival, 1995)
  12. Black Lucia (Live At The Phoenix Festival, 1995)
  13. We Could Send Letters (Live At The Phoenix Festival, 1995)
  14. Rainy Season (Live At The Phoenix Festival, 1995)

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