Mr Kinski's Music Shack

John Foxx releases a 3 CD deluxe edition of his Metamatic album on 25 May 2018. The original 10-track album, recorded in 1979 and originally released in 1980 was remastered from analogue tapes back in 2014, along with various B-sides. A few tapes full of instrumental music from the sessions were also set aside for remastering but these revealed further discoveries, including alternative mixes and the song Miss Machinery – a mutant, electro-punk twist on Foxx B-side, 20th Century.

Jonathan Barnbrook (regular Foxx collaborator and Bowie’s Blackstar designer) worked on the new 2018 reissue design as the project grew to 49 tracks across 3 CDs. This includes the 15 instrumentals contained on CD3 which collectively sound like a lost electronic soundtrack with echoes of Quatermass, BBC’s Radiophonic Workshop and the dark DIY electronics of Thomas Leer and Robert Rental.

Metamatic is one of the most influential electronic albums from the early 80s. Following his departure from Ultravox, Foxx stripped the sound back to just voice and electronics. The stark, at times industrial electronica still sounds like the future, 38 years after the albums original release. That is some testimony to the quality of the material.

Most people will be aware of the singles Underpass and No-one Driving, but dig a little deeper and there is much more to savour.  He’s a Liquid is a key track, with lyrics that have always made me feel ill at ease.

“She’s elusive
He’s adhesive”

A New Kind of Man ups the tempo and hearing this track, I am instantly transported back to the late 70s / early 80s. A sense of detachment and isolation drip from Foxx’s lyrics on most of the songs on Metamatic. The off-kilter Tidal Wave conjures up the spirit of J. G. Ballard and would have sounded great as part of the soundtrack to High Rise.

Blurred Girl is almost a template of the sound of 1980. The classic Roland CR-78 rhythm and the plaintive synths add a rare warmth to what is often an icy cold musical landscape.

“Standing so close, Never quite touching…”

Touch and Go is probably the most commercial track on the album. I love the way that the synths rise like waves in the songs outro, smoothing the metronomic beat. The end section is by far my favourite musical performance on the album.

“There’s motorway sparks
And meetings in the park
And fires from years ago
You can watch your friends
Through this tiny lens
Then you’ll know that there’s no way home“

John Foxx would leave the sound of Metamatic for his next studio albums but returned to the cold electronica for some of his more recent work, particularly with Louis Gordon and The Maths.

Discs 2 and 3 of the deluxe Metamatic are a treasure trove for Foxx fanatics. Disc 2 brings together B sides, radio edit / single mixes, the wonderful single Burning Car and alternative versions of album tracks. Like A Miracle (Alternative Version) is an early version of the song that was released as a single in much fuller form in 1983. Underpass (Extended Version) and Blurred Girl (Longer Fade Version) are another two highlights of the second disc.

Another key track from Disc 2 is My Face, originally a flexi-disc release, and almost acting as a hint to the sound of the second John Foxx album (and my personal favourite) The Garden.

Disc 3 includes 15 instrumentals – some more fully formed than others. The sparse instrumentals are interesting to hear as part of the history of the album, but I don’t think I will return to them often. My favourites on disc 3 include a mournful alternative version of Glimmer, and the haunted ballroom piano of Fragmentary City (that predates the work of The Caretaker aka James Leyland Kirby by several decades).

Disc 3 is rounded off with Miss Machinery, a cold twist on B side 20th Century, a fascinating Giorgio Moroder-like take of No-One Driving, and an early version of Burning Car (with a Fade To Grey like bassline).

Disc 3 ends with a lo-fi Like A Miracle and a warmer , more fully realised and piano under-pinned take on No-One Driving, that feels like it was recorded nearer to The Garden.

This definitive version of Metamatic is released by Metamatic Records on 25 May 2018.

Disc: 1
1. Plaza
2. He’s a Liquid
3. Underpass
4. Metal Beat
5. No-one Driving
6. A New Kind of Man
7. Blurred Girl
8. 030
9. Tidal Wave
10. Touch and Go

Disc: 2
1. Film One
2. This City
3. To Be With You
4. Cinemascope
5. Burning Car
6. Glimmer
7. Mr. No
8. Young Love
9. 20th Century
10. My Face
11. Underpass (Radio Edit)
12. Non-one Driving (Single Version)
13. Like a Miracle (Alternative Version)
14. A New Kind of Man (Alternative Version)
15. He’s a Liquid (Alternative Version)
16. Plaza (Extended Version)
17. Underpass (Extended Version)
18. Blurred Girl (Longer Fade Version)

Disc: 3
1. A Frozen Moment
2. He’s a Liquid (Instrumental Dub)
3. Mr. No (Alternative Version)
4. The Uranium Committee
5. A Man Alone
6. Over Tokyo
7. Terminal Zone
8. Urban Code
9. A Version of You
10. Glimmer (Alternative Version)
11. Fragmentary City
12. Metamorphosis
13. Approaching the Monument
14. Critical Mass
15. Alamogordo Logic
16. Touch and Go (Early Version)
17. Miss Machinery
18. No-one Driving (Early Version)
19. Burning Car (Early Version)
20. Like a Miracle (Early Version)
21. No-one Driving (Alternative Version)

Pre-order Metamatic Deluxe 3-CD from Amazon