The songs on this Moonshot compilation were lovingly curated by Tim Bowness, whose album Lost In The Ghostlight tells the story of Moonshot through the thoughts and musing of lead singer Jeff Harrison.
* To avoid confusion, some of the songs on this compilation have remarkably similar titles, lyrics and music to tracks released by Tim Bowness on his Moonshot inspired Lost In The Ghostlight album, but Jeff Harrison never ripped anyone off man.
Shortly before his final tour and final death, Moonshot mainman Jeff Harrison took to twitter. His confusion in this new digital playground was plain for all to see, and long-time fans were worried, with good reason. Harrison died in suspicious circumstances in January 2019 and it was his wish that Moonshot continue with John Wilkinson as their singer. John was the singer in Moonshot tribute band Apollo 11, and its his voice that delivers the Moonshot classics on this new Bowness curated compilation.
Listening to Worlds of Yesterday, it’s clear that Big Big Train are heavily indebted to Warrington’s finest sons. And a little progshaped bird once tweeted that rock / prog-pixie Steven Wilson has a whole wing in his Surrey Mansion dedicated to his love of Moonshot, the highlight of which is a room filled with 208 of Jeff Harrison’s moth-ridden stage outfits from the ill-fated Rosewater tour of Germany. If that isn’t an endorsement to the genius of the band and their influence, I don’t know what is.
If any members of Genesis heard Worlds of Yesterday, I have no doubt that they would say that this is the best album that Genesis never made. Or they might sue the band. I’m not sure which route they would take to be honest, but I hear Moonshot have the best lawyers Warrington have ever produced and they are poised to spring into litigious action.
On to the music, dear listeners. Album opener Moonshot Manchild is the tale untold of a rockstar out of time and place, a position the many men of Moonshot were likely familiar with. Musically drawing from early Yes, mid-period Genesis and a hint of late period Martin Lee (Brotherhood of Man).
“The flashing lights are blinding, you never felt so old”
Stupid Things That Mean The World draws from the shallow-well of Invisible Touch era Genesis, with spurting and spluttering synths hiding the deep pain clearly felt by our prog protagonists. A veritable ear-worm of a song, with a smorgasbord of vintage keyboards powering the track.
Long-time fans of Moonshot will be familiar with the rare band ballad Worlds of Yesterday. Its the sound of a Moonshot wrestling with the changing times, and was a highlight of their many German and Austrian tours. The song was used in a prominent episode of the 80s German TV hit Helga und die Nordlichter, in case you are wondering where you had heard the tune before. The layers of guitar and keyboards on Worlds of Yesterday highlights the links between the world of progressive music and the 80s new romantic / synth bands.
Lost in the Ghostlight is a close cousin of Peter Gabriel’s The Rhythm of the Heat, but is more satisfying as it is shorter. New vocalist John Wilkinson sneers “is it pure or is it art”, a question we have all asked ourselves at some point. Mike Garson-esque piano lines offer solace from the anger in this perky prog-piece. “Is there moooore?” – yes there is, we are only at the mid-point of this compilation. Well sequenced Mr Bowness.
Fans of Phil Collin’s early solo material will love the Roland CR-78 driven bleak as midwinter Nowhere Good to Go. Apparently the lyrics are an apology to Moonshot fans for the many off-key performances and gigs cut-short during the band’s darkest period, when the album sales slowed to a trickle and Eastern Europe became their new playground. Heartbreaking but long overdue, its one of the album highlights.
Many reviewers, on first hearing The Great Electric Teenage Dream, thought Steve Hackett was the guitarist on the song that lit up Moonshot’s later period. This was never confirmed, denied or mentioned again. Prog magazine wrote a lengthy piece on this pastoral beauty, which was sadly dropped and replaced by news of the reformation of Gandalf’s Hoof in 2016. Out-of-time and out of luck once more, the Moonshot madness continued. Fact fans – the mention of “a faceless tweet” in the lyric does not refer to twitter but to Jeff’s love of Owls.
Before That Before became the band’s biggest hit single in the Netherlands. A stripped back power-ballad, with a heavy use of tambourine and reverb-drenched piano, it should have propelled Harrison and co into a Stadium sized orbit, but alas alimony soaked up the proceeds of Moonshot’s final tilt at immortality. Tears are guaranteed to flow when you hear the mournful guitar lines that preface the chorus.
At the time of release, the backing vocals on Before That Before‘s outro were rumoured to be performed by Kate Bush, but they were not.
The album skips towards its end with the prog as your elbow village-fete romp that is The Sweetest Bitter Pill. The original video (look for it on Youtube) featured Harrison stuck on a merry-go-round, that spun for eternity and made him very, very sick. Listening to this new version of the Moonshot classic, it’s clear the song has become a template for many bands, all of whom went onto great success. It would be nice if they gave a little love back, but we know who they are, and the invoice will be in the post.
The vinyl album ends on Distant Summers, a new version of one of the band’s best-loved songs. Welcome back my friends, and get out your lighters, it’s the show that never ends. Stripped of the need to sell records (because, who buys records anymore?), this is Moonshot at its purest. Heavy organs propel the love, longing and a lifetime of regret into a 4.59 progressive rock masterpiece. Listen young pretenders and weep. I’m looking at you Mr White Willow, Jacob Holm-Lupo.
Oh, and the CD version of the album (it won’t be available on streaming platforms as Jeff Harrison did not understand streaming – “if you can’t touch it, how can you hear it”) includes two bonus tracks. The World-Music inspiring You’ll Be The Silence and the theme medley Moonshot Shadows. Can anyone else hear the theme tune to Hill Street Blues in the opening? Nope, just me then. Craftily cutting out recognisable hooks from their lengthy back-catalogue, Moonshot are able to pay themselves extra-royalties, as Jeff Harrison is not listed as co-writer of this track. Resourceful.
So for anyone new to Moonshot, this is a very satisfying introduction to the band. Fans of Genesis, Yes, Barclay James Harvest, The Buggles, The Alan Parsons Project, Argent, Baccara, Genesis, Genesis, BruteBeard, Big Big Train, Caravan, Cloop, Genesis, Christopher Cross, Genesis, Earth and Fire (but not Wind), Egg, ELP, Marillion, Damp, Frost*, Gabriel (Peter), Genesis, Steve Hackett, John Hackett, Henry Hackett, Hackett and the North, I, Genesis, Rodeo and the Trapeze Boy, Grifter, Genesis, Schnod, Flute and many more from the heady progressive era will find much to love in this purposeful masterpiece.
Don’t be surprised if Worlds of Yesterday is crowned Prog album of the year 2020. You have got 12 months to listen, digest and vote! Look into my eyes – vote you will.
Tracklisting:
Moonshot Manchild
Stupid Things That mean The World
World of Yesterday
Lost in the Ghostlight
Nowhere Good to Go
The Great Electric Teenage Dream
Before That Before
The Sweetest Bitter Pill
Distant Summers
Bonus Tracks on CD Album
You’ll Be The Silence
Moonshot Shadows
Buy the album (CD and vinyl) from Burning Shed
* Most of the anecdotes in this review are not true. If you are a fan of classic 70s and 80s progressive rock, I urge you to investigate this album. You know you will love it!
Folklore is the ninth album from the English progressive band Big Big Train. I first heard the band quite late in their development, around the time of album number 6, The Underfall Yard, but I really started to take notice with the two English Electric albums from 2012 and 2013.
Ardor is the second album from The Opium Cartel, an outlet for the more pop orientated music of songwriter/producer Jacob Holm-Lupo from Norway’s art-rock band 
Slow Electric is a new collaboration between Tim Bowness (no-man), Peter Chilvers (Bowness/Chilvers & Brian Eno) and the Estonian group UMA (Aleksei Saks and Robert Jürjendal). The album features Tony Levin (King Crimson / Peter Gabriel) on two tracks.
My most played artist of 2010 (
Another new band, this time from the UK. Their Man Alive album was released in late August, and follows a string of single releases dating back to 2008. The songs are varied, with lovely layered harmony vocals, inventive guitar and nods to bands such as Talking Heads, Yes, XTC and even The Associates.
Portland, Oregon’s Gavin Castleton is a singer/songwriter I came across late in 2009, via someone’s end of year list on Facebook. See, sometimes these lists are worthwhile! Gavin’s music varies between progressive jazz-tinged pop, through to electronica and even rap, with traditional song arrangements and looping experiments.
She wanted a job so I brought her the forms
My favourite Gavin Castleton album is For the Love of Pete, which was released in 2007. It’s the most traditional (for the want of a better word) album from Gavin.
The Devil and I is the debut release from Lone Wolf aka Paul Marshall. Leeds musician Paul Marshall released an album called Vultures in 2007, but his first release under the Lone Wolf moniker is a very different beast. Losing the folk influences, and drawing from a wider instrumental palette, the Devil and I is as lyrically rich as it is musically.
Queen of Denmark was a must buy for me, because of the Midlake connection (the band back Grant on the album). Sounding very much like an album from the mid-70’s, with lush backing vocals and not sounding out-of-place in the company of Bread or Fleetwood Mac, Queen of Denmark reveals more when you dig deeper. Silver Platter Club even sounds like Carole Bayer Sager meets Gilbert O’Sullivan, but in a good way, I kid you not!
The Suburbs is summed up perfectly by its cover artwork, hinting at a time and a world long since disappeared.
2010 was the year I rediscovered Bruce Springsteen. My favourite Bruce albums were always The River, The Wild, The Innocent And The E Street Shuffle and especially Darkness on the Edge of Town. I went along to the UK premiere of the film The Promise In November, which was attended by the Boss himself. The documentary looks at the making of Darkness on the Edge of Town, and some of the songs that failed to make the final cut. It was a fascinating look at this landmark album, and I treated myself to the box-set that contained a DVD of the documntary, a remastered version of Darkness on the Edge of Town and a double disc of The Promise, songs from the Darkness sessions.
Darkness on the Edge of Town sounds amazing in this remastered version, it’s like hearing a new album. I’m still blown away by Candy’s Room, Badlands, Racing in the Street and Prove it all Night. I find it hard to believe that I first heard these songs 32 years ago.
Ok, not a new film, but one I’ve just seen. Directed by Sean Penn, and starring Emile Hirsch as Chris McCandless who leaves a life of comfort and safety to find a different way of life in the wild, open spaces of the US.
As above, one bought on blu-ray this year, and a horror classic. In my eyes, the film deserves to be talked of in the same way that The Shining, Omen or The Exorcist are described as genre-defining movies.
The Pacific
Released in 2008, but only noticed by me in 2009, so included here, the album Rook from Texan band Shearwater is a delicate collection of songs driven by rich strings and piano mixed with acoustic guitars and lots of references to birds (band member Jonathan Meiburg is a graduate student in ornithology).
Again, a 2008 release, but one I stumbled across in 2009 thanks to the wonders of Youtube. I was aware of Butch Walker’s previous band, Marvellous 3, due to the power-pop anthem from 1999, Freak of the Week (a fair-sized hit in the US that I heard when on holiday in Florida).
The part Swedish, part US band Miike Snow have released one album to date, and a clutch of classic singles. For the fact-fiends reading this blog, the Swedish contingent in the band were responsible for the Grammy winning Toxic by Britney Spears.
Mr Kinski's Music Shack 