Blancmange release their tenth studio album, Wanderlust, on October 19, 2018. Wanderlust features ten songs composed by Neil Arthur, and arranged, co-produced and mixed with Benge (Wrangler/Creep Show). This is the pair’s third album together following their Fader First Light album in June 2017 and last year’s Blancmange album Unfurnished Rooms.
As with last years Unfurnished Rooms, Wanderlust is a more stark electronic offering than the early Blancmange albums. The major difference with this album is the inclusion of three songs (Distant Storm,In Your Room and Not a Priority) that could easily fit onto a “best of” album, and if released in the mid-80s, would have probably been top 20 singles.
Opening with lead single Distant Storm, the duo lay out their intentions straight away. Pulsing bass synths and expanding percussion layers drive a wistful, vocoder treated vocal from Neil Arthur. A Giorgio Moroder meets Madonna’s Lucky Star keyboard arrangement lifts this song to another level and adds real colour and warmth to the song.
In Your Room dials down the warmth a couple of notches, and is a much darker track. Musically this has a feel of the edgier early Soft Cell tracks, and features a simple yet naggingly addictive chorus. You will not be able to stop yourself singing along.
“In your room, In Your Room, IN YOUR ROOM”
I Smashed Your Phone opens with what sounds like the drum machine intro pattern to Wham’s Everything She Wants and has some interesting percussion programming highlighting key points in the song. The lyric references our often fractious relationship with modern technology, and this theme continues throughout the album.
Gravel Drive Syndrome is another album highlight. The tightly, unnaturally sequenced bleeps underpin a growing feeling of unease mirrored by this tale of social climbing at any cost. Talking to Machines is a John Foxx influenced synthesised slow-burner, warning us that our interactions are often with machines that are “Always on, on always”. Switch off and step away people!
Not a Priority is my favourite track on the album. Easily the most commercial song since the early Blancmange albums, Not a Priority features a sugar-coated joint chorus with one of my favourite current electronic artists, Hannah Peel. The synths bubble away, and along with the ever-present Moroder, I get hints of Kraftwerk and Propaganda on this album highlight.
“Please be yourself, you can’t be anybody else.”
TV Debate is the first track to add guitars to the mix. A Berlin era Bowie / glam-rock backing drives a tale of channel-surfing and wall-to-wall talking heads displayed on the screen. David Rhodes (Peter Gabriel / Kate Bush) adds an engaging guitar wall of sound to another of the albums key tracks, Leaves. The arrangement rises and falls, mimicking the seasons, as nature meets mankind.
White Circle, Black Hole is a rare chink of light in the lyrical darkness, and has one of Arthur’s best vocal performances on the album, along with a twin guitar propelled chorus.
“Start again, such a good place.”
The album ends on the title track. Disembodied sampled voices, and a heart-beat kick drum introduces a song about living in this moment, in the here and now. Analogue synth lines take the lead instead of a traditional vocal chorus, as Wanderlust draws to a close on an optimistic note.
I loved last years Unfurnished Rooms but Wanderlust sees Blancmange at their very best, bringing their pop sensibility back to the surface, whilst exploring the dark side of electronica. One of the strengths of this album is that the music channels the adventurous spirit of the 1980s, yet the lyrics explore a dystopian, close enough to touch, near future. This mix of darkness and light makes Wanderlust a unique album in the Blancmange catalogue, and one of the most interesting albums I have heard this year.
Distant Storm
In Your Room
I Smashed Your Phone
Gravel Drive Syndrome
Talking to Machines
Not a Priority
TV Debate
Leaves
White Circle, Black Hole
Wanderlust
Buy Blancmange Wanderlust on CD from Amazon
Buy Blancmange Wanderlust on vinyl from Amazon
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[…] Read my full review of Wanderlust. […]
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[…] Neil Arthur is clearly experiencing a creative streak – along with Fader he has also recently released the debut of another duo project, Near Future, as well as delivering two Blancmange studio albums, including one of the finest in the bands career in last year’s Wanderlust. […]
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[…] by Neil Arthur with Benge (Wrangler/John Foxx And The Maths), and follows last years excellent Wanderlust […]
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